Punch, or the London Charivari, Volume 1, July 24, 1841Various
General
Punch, or the London Charivari, Volume 1, July 24, 1841
Various
English wit and humor -- Periodicals
Deafening were the cheers which greeted the gallant captain! A meeting of
ladies has since been held, at which resolutions were passed for the
furtherance of so desirable an object, and a committee formed for the
selection of a design worthy of the originator of the Knocker Hunt. To that
committee we now appeal.
[Illustration:
TO HENRY, MARQUESS OF WATERFORD,
AND HIS JOLLY COMPANIONS IN LOWE,
THIS STATUE OF ACHILLES,
CAST FROM KNOCKERS TAKEN IN THE VICINITIES
OF SACKVILLE-STREET, VIGO-LANE, AND WATERLOO-PLACE,
IS INSCRIBED
BY THEIR GENTLEWOMEN.
PLACED ON THIS SPOT
ON THE FIRST DAY OF APRIL, MDCCCXLII.
BY COMMAND OF
COLONEL ROWAN.]
_Mem_. The hunt meet again on Monday next, as information has been
received that a splendid knocker occupies the door of Laing's shooting
gallery in the Haymarket.
* * * * *
STENOTYPOGRAPHY.
Our _printer's devil_, with a laudable anxiety for our success, has
communicated the following pathetic story. As a specimen of
stenotypography, or compositor's short-hand, we consider it _unique_.
SERAPHINA POPPS;
OR, THE BEAUTY OF BLOOMSBURY.
Seraphina Popps was the daughter of Mr. Hezekiah Popps, a highly
respectable pawnbroker, residing in ---- Street, Bloomsbury. Being an only
child, from her earliest infancy she wanted for 0, as everything had been
made ready to her [Symbol: hand hand].
She grew up as most little girls do, who live long enough, and became the
universal ![1] of all who knew her, for
"None but herself could be her ||."[2]
Amongst the most devoted of her admirers was Julian Fitzorphandale.
Seraphina was not insensible to the worth of Julian Fitzorphandale; and
when she received from him a letter, asking permission to visit her, she
felt some difficulty in replying to his ?[3]; for, at this very critical
.[4], an unamiable young man, named Augustus St. Tomkins, who possessed
considerable L. _s._ _d._ had become a suitor for her [Symbol: hand]. She
loved Fitzorphandale +[5] St. Tomkins, but the former was [Symbol: empty]
of money; and Seraphina, though sensitive to an extreme, was fully aware
that a competency was a very comfortable "appendix."
She seized her pen, but found that her mind was all 6's and 7's. She spelt
Fitzorphandale, P-h-i-t-z; and though she commenced ¶[6] after ¶, she never
could come to a "finis." She upbraided her unlucky * *, either for making
Fitzorphandale so poor, or St. Tomkins so ugly, which he really was. In
this dilemma we must leave her at present.
Although Augustus St. Tomkins was a [Symbol: Freemason][7], he did not
possess the universal benevolence which that ancient order inculcates; but
revolving in his mind the probable reasons for Seraphina's hesitation, he
came to this conclusion: she either loved him -[8] somebody else, or she
did not love him at all. This conviction only X[9] his worst feelings, and
he resolved that no [Symbol: scruple scruple][10] of conscience should
stand between him and his desires.
Public-domain text, read in full here on John Shaqi.
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