Punch, or the London Charivari, Volume 1, November 13, 1841 — John Shaqi
Punch, or the London Charivari, Volume 1, November 13, 1841Various
General
Punch, or the London Charivari, Volume 1, November 13, 1841
Various
English wit and humor -- Periodicals
Vainly has Crevelli raised a bulwark of lozenges against the Demon of
Catarrh! Soreness will invade the throat, and noses run in every family,
seeming to be infected with a sentimental furor for blooming--we presume
from being so newly blown. We have seen noses chiseled, as it were, from
an alabaster block, grow in one short day scarlet as our own, as though
they blushed for the continual trouble they were giving their proprietors;
whilst the peculiar intonation produced by the conversion of the nasals
into liquids, and then of the liquids ultimately into mutes, leads to the
inference that there must be a stoppage about the bridge, and should be
placarded, like that of Westminster, "No thoroughfare."
It has been generally supposed that St. Cecilia with a cold in her head
would be incompetent to "Nix my Dolly;" and this erroneous and popular
prejudice is continually made the excuse for vocal inability during the
winter months. Now the effect which we have before described upon the
articulation of the catarrhed would be, in our opinion, so far from
displeasing, that we feel it would amply compensate for any imperfections
of tune. For instance, what can be finer than the alteration it would
produce in the well-known ballad of "Oh no, we never mention her!"--a
ballad which has almost become wearisome from its sweetness and
repetition. With a catarrh the words would run thus:--
"O lo, we lever beltiol her,
Her labe is lever heard."
Struck with this modification of sound, PUNCH, anxious to cater _even_ for
the catarrhs of his subscribers, begs to furnish them with a "_calzolet_,"
which he trusts will be of more service to harmonic meetings than pectoral
lozenges and paregoric, as we have anticipated the cold by converting
every _m_ into _b_, and every _n_ into _l_.
A SONG FOR A CATARRH.
_B_y _B_ary A_ll_e is like the su_l_,
Whe_l_ at the daw_l_ it fli_l_gs
Its golde_l_ s_b_iles of light upo_l_
Earth's gree_l_ and lo_l_ely thi_l_gs.
I_l_ vai_l_ I sue, I o_l_ly wi_l_
Fro_b_ her a scor_l_ful frow_l_;
But soo_l_ as I _b_y prayers begi_l_,
She cries O _l_o! bego_l_e.
Yes! yes! the burthe_l_ of her so_l_g
Is _l_o! _l_o! _l_o! bego_l_e!
_B_y _B_ary A_ll_e is like the moo_l_,
Whe_l_ first her silver shee_l_,
Awakes the _l_ighti_l_gale's soft tu_l_e,
That else had sile_l_t bee_l_.
But _B_ary A_ll_e, like darkest _l_ight,
O_l_ be, alas! looks dow_l_;
Her s_b_iles o_l_ others bea_b_ their light,
Her frow_l_s are all _b_y ow_l_.
I've but o_l_e burthe_l_ to _b_y so_l_g--
Her frow_l_s are all _b_y ow_l_.
* * * * *
"POSSUM UP A GUM TREE!"
Public-domain text, read in full here on John Shaqi.
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