* * * * * CAUSE AND EFFECT. A great _fall_ of chalk occurred at Mertsham on the Brighton Railway on last Thursday morning; a corresponding _fall_ in milk took place in London on the following day. * * * * * SHOULD THIS MEET THE EYE-- [Illustration] of Sir ROBERT PEEL, LORD STANLEY, or any of Her Majesty's Ministers, in want of an active cad, or light porter; the advertiser, a young man at present out of place, would be anxious to make himself generally useful, and is not particular in what capacity. Respectability not so great an object as a good salary. Application to be made to T. WAKLEY, at the Rad's Arms, _Turn'em Green_. * * * * * HARD AND FAST. That very slow coach, and would be "faster," the licensed to-carry-no-thing-inside "Bernard Cavannah," has been recently confined in a room, wherein he has lived upon the "cameleon's dish," eating the air--"jugged," we presume. Wakley declares he is an impostor; but as he has an interest in an inquest, and Bernard survives, this may be attributed to professional disappointment. Dr. Elliotson declares, from his own experience, any man can live upon nothing. The whole medical profession are getting to very high words; Anglice,--indulging in very low language. The fraternity of physicians, apothecaries, and surgeons, are growing so warm upon the living subject, that we may shortly expect to witness a beautiful tableau vivant of [Illustration: SURGERE IN ARMIS.] * * * * * PUNCH'S THEATRE. MISS ADELAIDE KEMBLE. Let every amateur, professor, and enthusiastic raver concerning "native talent" go down on his knees, and, after the manner of the ancient heathen, return thanksgiving unto Apollo for having at last sent us a singer who knows her business! One who can sing as if she had a soul; who can act as if she were not acting, but existing amidst reality; who is, in short, a performer entirely new to the British stage; to whom we have not a parallel example to produce,--a heroine of the lyric drama. Such, in the most exalted sense of the term, is Miss Adelaide Kemble. Unlike nearly every other English singer, she has not set up with the small stock-in-trade of a good voice, and learned singing on the stage; making the public pay for her tuition. On the contrary, nature has manifestly not been bountiful to her in this respect. Her voice--the mere organ--may have been in her earlier years exceeded in quality by many other vocalists. But what is it now? Perfect in intonation; its lower tones forcible; the middle voice firm and full; the upper interval sweet and rich beyond comparison.