Punch, or the London Charivari, Volume 1, October 23, 1841Various
General
Punch, or the London Charivari, Volume 1, October 23, 1841
Various
English wit and humor -- Periodicals
In our last we briefly adverted to the gratifying fact that Mr. Barry had
at least a thousand superficial feet on the walls of the new Houses of
Parliament at the services of the historical painters of England; and we
also, in a passing manner, suggested a few compositions worthy of their
pencils. A reconsideration of the matter convinces us that the subject is
too important--too national, to be adopted as merely the fringe of our
article; and we have therefore determined within ourselves to devote our
present essay to a serious discussion of the various pictures that are, or
_ought_, to decorate the interior of the new House of Commons. As for the
House of Lords, we see no necessity whatever for lavishing the fine
inspirations of art on that temple of wisdom; inasmuch as the sages who
deliberate there are, for the most part, born legislators, coming into the
world with all the rudiments of government in embryo in their baby heads,
and, on the twenty-first anniversary of their birthday, putting their legs
out of bed adult, full-grown law-makers. It would be the height of
democratic insolence to attempt to teach these chosen few: it would, in
fact, be a misprision of treason against the sovereignty of Nature, who,
when making the _pia mater_ of a future peer of England, knows very well
the delicate work she has in hand, and takes pains accordingly. It is
different when she manufactures a mob of skulls which, by a jumble of
worldly accidents, or by the satire of Fortune in her bitterest mood, may
ultimately belong to Members of the House of Commons. These she makes, as
they make blocks in Portsmouth-yard, a hundred a minute. All she has to do
is to fulfil her contract with the world, taking care that there shall be
no want of the raw material for Members of Parliament, leaving it to
Destiny to work it up as she may. We have not the slightest doubt,
by-the-by, that poor Nature is often very much confounded by the ultimate
application of her own handiwork. We can fancy the venerable old gossip at
her business, patting up skulls as serenely as our lamented great
grandmother (she wrote a very pretty book on the beauties of population,
and illustrated the work, too, with portraits from her own hand) was wont
to pat up apple-dumplings:--we can imagine Nature--good old soul!--looking
over her spectacles at the infant dough, and saying to herself as she
finishes skull by skull--"Ha! that will do for a pawnbroker;"--"That, as
it's rather low and narrow, for a sharp attorney;"--"That for a parish
constable;"--"That for a clown at a fair,"--and so on. And we can well
imagine the astonishment of simple-hearted old Nature on getting a ticket
for the gallery of the House of Commons (for very seldom, indeed, has she
been known to show herself on the floor), to see her skull of a pawnbroker
on the shoulders of a Chancellor of the Exchequer; her _caput_ of the
sharp attorney belonging to a Minister of the Home Department; her head of
Public-domain text, read in full here on John Shaqi.
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