Punch, or the London Charivari, Volume 1, October 23, 1841Various
General
Punch, or the London Charivari, Volume 1, October 23, 1841
Various
English wit and humor -- Periodicals
What a beautiful arabesque border might be conceived from a perusal of the
late Lord Castlereagh's speeches! We should here have Parliamentary
eloquence under a most fantastic yet captivating phase. Who, for instance,
but the artist to PUNCH could paint CASTLEREAGH'S figure of a smug,
contented, selfish traitor, the "crocodile with his hand in his breeches'
pocket?" Again, does not the reader recollect that extraordinary person
who, according to the North Cray Demosthenes, "turned his back _upon
himself_?" There would be a portrait!--one, too, presenting food for the
most "sweet and bitter melancholy" to the GRAHAMS and the STANLEYS. There
is also that immortal Parliamentary metaphor, emanating from the same
mysterious source,--"The _feature_ upon which the question _hinges_!" The
only man who could have properly painted this was the enthusiastic BLAKE,
who so successfully limned the ghost of a flea! These matters, however,
are to be considered as merely supplementary ornaments to great themes.
The grand subjects are to be sought for in _Hansard's Reports_, in
petitions against returns of members, in the evidence that comes out in
the committee-rooms, in the abstract principles of right and wrong, that
make members honest patriots, or that make them give the harlot "ay" and
"no," as dictated by the foul spirit gibbering in their breeches' pockets.
That we may have painted all these things, Mr. BARRY offers up one
thousand feet. Oh! Mr. B. can't you make it ten!
Q.
* * * * *
PUNCH's PENCILLINGS.--No. XV.
[Illustration: REFLECTION.
"FAREWELL, A LONG FAREWELL, TO ALL MY GREATNESS."--_King Henry VIII_.]
* * * * *
THE PHYSIOLOGY OF THE LONDON MEDICAL STUDENT.
4.--OF THE MANNER IN WHICH THE FIRST SEASON PASSES.
From the period of our last Chapter our friend commences to adopt the
attributes of the mature student. His notes are taken as before at each
lecture he attends, but the lectures are fewer, and the notes are never
fairly transcribed; at the same time they are interspersed with a larger
proportion of portraits of the lecturer, and other humorous conceits. He
proposes at lunch-time every day that he and his companions should "go the
odd man for a pot;" and the determination he had formed at his entry to
the school, of working the last session for all the prizes, and going up
to the Hall on the Thursday and the College on the Friday without
grinding, appears somewhat difficult of being carried into execution.
Public-domain text, read in full here on John Shaqi.
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