Punch, or the London Charivari, Volume 1, October 30, 1841Various
General
Punch, or the London Charivari, Volume 1, October 30, 1841
Various
English wit and humor -- Periodicals
By the way, this same _Henrico_, as performed by that excellent swimmer
(in the water-piece), Mr. Spencer Forde, forms a very entertaining
character. His imperturbable calmness while uttering the heart-stirring
words, assigned by the author to his own description of the late
affair-of-honourable assassination, was highly edifying to the philosophic
mind. The pleasing and amiable tones in which he stated how irretrievably
he was ruined, the dulcet sweetness of the farewell to his heart's adored,
the mathematical exactitude of his position while embracing her, the cool
deliberation which marked his exit--offered a picture of calm stoicism
just on the point of tumbling over the precipice of destruction not to be
equalled--not, at least, since those halcyon dramatic days when
Osbaldiston leased Covent Garden, and played _Pierre_.
Somehow or other--for one must not be too particular about the wherefores
of stage political intrigues--_Felicia_ is promoted from the office of
making dresses for the Queen to that of putting them on. Behold her a maid
of honour and of all-work; for the Queen takes her into her confidence,
and in that case people at Court have an immense variety of duties to
perform. The Duchess's place is fast becoming a sinecure, and she trembles
for her influence--perhaps, in case of dismissal, for her next quarter's
salary to boot--so she shakes in her shoes.
It is at this stage of the plot that we perceive why the part of _Henrico_
was entrusted to the gentleman who plays it,--the mystery we have alluded
to being by this arrangement very considerably increased; for we now learn
that no fewer than three ladies in the piece are in love with him, namely,
_Felicia_, the Queen, and the Duchess. Now the most penetrating auditor
would never, until actually informed of the fact, for a moment suspect a
Queen, or even a Duchess, of such bad taste; for, as far as our experience
goes, we have generally found that women do not cast their affections to
men who are sheepish, insensible, cold, ungainly, with small voices, and
not more than five feet high. Surprise artfully excited and cleverly
satisfied is the grand aim of the dramatist. How completely is it here
fulfilled! for when we discover that the personator of Henrico is meant
for an Adonis, we _are_ astonished.
Public-domain text, read in full here on John Shaqi.
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