Punch, or the London Charivari, Volume 1, October 30, 1841Various
General
Punch, or the London Charivari, Volume 1, October 30, 1841
Various
English wit and humor -- Periodicals
This felicitous situation is interrupted by the spiteful Duchess; the
lover escapes behind the window curtains to avoid scandal--is discovered,
and his sovereign's reputation is only saved by the declaration of
Felicia, that the Captain is there on _her_ account. Ollivarez asserts
that they are married, to clench the fib--the Queen sees her folly--the
Duchess is disgraced--all the characters stand in the well-defined
semicircle which is the stage method of writing the word "finis"--Mrs.
Yates speaks a very neat and pointed "tag"--and that's all.
For this two-act Comidetta, dear Yates, we pronounce absolution and
remission of thy sins, so wickedly committed in the washy melo-drama, and
cackling vaudeville, thou hast recently affronted common-sense withal!
Thine own acting as the courtier was natural, except when thou didst
interpolate the dialogue with the baby--a crying sin, believe us. Else,
thy bows were graceful; and thy shoulder-shrugs--are they not chronicled
in the mind's eye of thy most distant admirers? The little touches of
humour that shone forth in the dialogue assigned to thee, were not
exaggerated by the too-oft-indulged-in grimaces--in short, despite thy too
monstrous _chapeau-bras_--which was big enough for a life-boat--thou
lookedst like a Duke, a gentleman, and what in truth thou really art--an
indefatigable _intriguant_. Thy favoured help-mate, too, gave a reality to
the scene by her captivating union of queenly dignity and feminine
tenderness. But most especially fortunate art thou in thy Felicia. Alas
for our hunch and our hatchet nose! but O, alas! and alas! that we have a
Judy! for never did we regret all three so deeply as while Miss Ellen
Chaplin was on the stage. In our favourite scene with the Queen and her
lover, how graceful and expressive were her dumb answers to what ought to
have been Henrico's eloquent declarations, spoken _through_ the Queen. We
charge thee, dear friend, to "call" her on Monday morning at eleven, and
to rehearse unto her what we are going to say. Tell her that as she is
young, a bright career is before her if she will not fall into the sin of
copying some other favourite actress--say, for instance, Mrs.
Yates--instead of our arch-mistress, Nature; say, moreover, that at the
same time, she must be unwearying in acquiring _art_; lastly, inform her,
that Punch has his eye upon her, and will scold her if she become a
backslider and an imitator of other people's faults.
As to poor Mr. _Spencer_ Forde, he, too, is young; and you do wrong, O
Yates! in giving him a part he will be unequal to till he grows big enough
for a coat. A smaller part would, we doubt not, suit him excellently.
Lastly, give our best compliments to Mrs. Fosbroke, to the illustrious Mr.
Freeborn, to Mr. John Saunders, and our especial commendations to thy
scene-painter, thy upholsterer, and the gentleman lamp-lighter thou art so
justly proud of; for each did his and her best to add a charm to "The Maid
of Honour."
Public-domain text, read in full here on John Shaqi.
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