Sir,--I take this opportunity of pointing out that if anything at all is to be done with Kensington Gardens, _why not make a real good Rotten Row there?_ That would he a blessing and a convenience. We're all so sick and tired of that squirrel-in-a-cage ride, round and round Hyde Park, and that half-and-half affair in St. James's Park. No, Sir; now's the time, and now's the hour. There's plenty of space for all equestrian wants, without interfering with the sylvan delights of nurserymaids, children, lovers of nature, and all sorts of lovers too. For my part, if this is not put forward as an alternative scheme, I shall vote for tunnelling under the Gardens out of simple cussedness. If the reply, authoritatively given, be that the two schemes can go and must go together, then I will vote for both, only let's have the equestrian arrangement first. Yours, JOLTIN TROTT, _Mount, Street, W, Captain 1st Lights and Liver Brigade_. * * * * * THE TRIUMPH OF BLACK AND WHITE. "After all, the best of KEENE's life-work is to be found in the innumerable cuts which he contributed to _Punch_ during a period of nearly forty years; and still more in the originals of these, the masterly pen-and-ink drawings which are now for the first time shown in a collected form to the Public." So says Mr. CLAUDE PHILLIPS, in his "Prefatory Note," to the "Catalogue of a Collection of Drawings of the late CHARLES KEENE," now on view at the Rooms of the Fine Arts Society, 148, New Bond Street. If the British Public possess that "taste for Art" and that "sense of humour" which some claim for and others deny to it, it (the B.P.) will throng the comfortable and well-lighted Gallery in New Bond Street, where hang some hundreds of specimens of the later work of the most unaffected humorist, and most masterly "Black-and-White" artist of his time. Walk up, Ladies and Gentlemen, and see--such miracles of delineation, such witcheries of effect, as were never before put on paper by simple pen-and-ink! It is difficult to realise sometimes that it _is_ pen and ink, and that only--all the delightful display of fresh English landscape and unsophisticated British humanity, teeming with effects of distance, hints of atmosphere, and suggestions of colour. Many a much-belauded brush is but a fumbling and ineffective tool, compared with the ink-charged crowquill handled by CHARLES KEENE. Look at "_Grandiloquence_!" (No. 220) There's composition! There's effect! Stretch of sea, schooner, PAT's petty craft, grandiloquent PAT himself, a nautical Colossus astride on his own cock-boat, with stable sea-legs firmly dispread, the swirl of the sea, the swish of the waves, the very whiff of the wind so vividly suggested!--and all in some few square inches of "Black-and-White!"