Punch, or the London Charivari, Volume 100, March 7, 1891 — John Shaqi
Punch, or the London Charivari, Volume 100, March 7, 1891Various
General
Punch, or the London Charivari, Volume 100, March 7, 1891
Various
English wit and humor -- Periodicals
PUNCH,
OR THE LONDON CHARIVARI.
VOL. 100.
March 7, 1891.
VOCES POPULI.
IN A FOG.--A REMINISCENCE OF THE PAST MONTH.
SCENE--_Main Thoroughfare near Hyde Park. Time 8 P.M. Nothing
visible anywhere, but very much audible; horses slipping and
plunging, wheels grinding, crashes, jolts, and English as she
is spoke on such occasions._
_Mrs. Flusters_ (_who is seated in a brougham with her husband, on
their way to dine with some friends in Cromwell Road_). We shall be
dreadfully late, I know we shall! I'm sure PEACOCK could go faster
than this if he liked--he always loses his head when there's much
traffic. Do tell him to make haste!
_Mr. F._ Better let him alone--he knows what he's doing.
_Mrs. F._ I don't believe he does, or he wouldn't dawdle like this. If
you won't speak to him, I must. (_Lets down the glass and puts out her
head._) PEACOCK!
_A Blurred Shadow on the Box._ Yes, M'm.
_Mrs. F._. What are we stopping for like this?
_The Shadow_. Fog very thick just 'ere, M'm. Can't see what's in front
of us, M'm.
_Mrs. F._ It's just as safe to keep moving as to stand still--go on at
once.
_The S._ Very good, M'm. (_To horse._) Pull urp! [_Crash!_
_Voice from the Unseen_. What the blanky blank, &c.
_Peacock_. There _is_ suthin in front, M'm. A van, from 'is langwich,
M'm.
_Mrs. F._ (_sinking back_). MARMADUKE, this is awful. I'd no idea the
fog was like this--or I should never have--(_With temper._) Really,
people have no _right_ to ask one out on such a night.
_Mr. F._ (_with the common-sense that makes him "so aggravating at
times."_) Well, FANNY, you could hardly expect 'em to foresee the
weather three weeks ahead!
_Mrs. F._ At all events, _you_ might have seen what it was going to be
as you came home from the Temple. Then we could have sent a telegram!
_Mr. F._ It seemed to be lifting then, and besides, I--ah--regard a
dinner-engagement as a species of kindly social contract, not to be
broken except under pressing necessity.
_Mrs. F._ You mean you heard me say there was nothing but cold
meat in the house, and you know you'll get a good dinner at the
CORDON-BLEWITTS,--not that we are likely to get there to-night. Have
you any idea whereabouts we are?
_Mr. F._ (_calmly_). None whatever.
_Mrs. F._ Then ask PEACOCK.
_Mr. F._ (_lets down his window, and leans out_). PEACOCK!
_The Shadow_. Sir?
_Mr. F._ Where have we got to now?
_Peacock_. I ain't rightly sure, Sir.
_Mrs. F._ Tell him to turn round, and go home.
_Mr. F._ It's no use going on like this. Turn back.
_Peacock_. I dursn't leave the kerb--all I got to go by, Sir.
_Mr. F._ Then take one of the lamps, and lead the horse.
_Peacock_. It's the _young_ 'orse, Sir.
_Mr. F._ (_sinking back_). We must put up with it, I suppose.
[_A smart crack is heard at the back of the carriage._
_More Voices_. Now, then, why the blanky dash, &c., &c.
Public-domain text, read in full here on John Shaqi.
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