Punch, or the London Charivari, Volume 101, September 19, 1891Various
General
Punch, or the London Charivari, Volume 101, September 19, 1891
Various
English wit and humor -- Periodicals
Arrived! These are the works that POPPERIE & Co. built. On a height,
commanding fine panoramic view. Approach to the house and stores is
through a fresh-looking garden, everything neat and trim. Quite a
surprise to find oneself suddenly among hundreds of casks and cases.
Distant sound of carts and horses, of pulleys and cranks, of bringing
in and sending out; but this sound is only a gentle hum--a murmuring
accompaniment as it were; for, considering the amount of work that
involves a lot of noise throughout the day, except, perhaps, during
the feeding hours, the note of this place is its air of quiet
activity. There is, I remark, a curious flavour in the atmosphere,
that causes me to smack my lips, quite involuntarily, as if tasting
wine. Remember somebody telling me, that the mere wine-laden
atmosphere of the London Docks is quite enough to make anyone feel
the worse for liquor, even though you do not touch a single drop in
the vaults. We have not yet reached the vaults, but somehow there's
something peculiarly exhilarating in the knowledge that we are in the
outer court of one of King Champagne's many palaces. _Mem._ Grand idea
for a scene in a Drury Lane Pantomime. Visit to Palace of POPPIN THE
FIRST, king of the Champagne country. Register copyright and suggest
it to Sir DRURY O'LANUS.
[Illustration]
DAUBINET has his hat in his hand and his overcoat over his arm.
With his handkerchief he is mopping his fevered brow. "_Piff!_" he
exclaims, "_qu'il fait chaud!_ No? You don't find it? I do. _Caramba!
O Champagnski! da Karascho! O Maman!_ Come on! Here is our leader, _le
bon_ VESQUIER! _Allons! Marchons!_ Long to reign over us!"--then as we
move forward, DAUBINET again bursts into song, as usual more or less
out of tune. This time he favours us with snatches of "_God save the
Queen!_" and finally, as we enter a huge tunnel, and, as I judge from
the steep incline, are commencing our descent into the cave, I hear
his voice behind me singing "We're leaving thee in sorrow, ANNIE!"
Public-domain text, read in full here on John Shaqi.
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