Punch, or the London Charivari, Volume 102, June 25, 1892Various
General
Punch, or the London Charivari, Volume 102, June 25, 1892
Various
English wit and humor -- Periodicals
TABLEAU II.--Rich hangings have fallen close to the footlights,
to represent an "Ante-room in the Palace." Attendants bring on two
dressing-tables. Enter the two principal _danseuses_, who are about to
dress for the Grand Ballet, when _Lulli_, the Composer, and _Prévot_,
the _Maître de dance du Roi_, come in and very inconsiderately propose
a rehearsal, which of course must be an _un_dress rehearsal--then and
there. This not unnaturally puts both the ladies out of temper; they
object to the ballet-skirts supplied by the Management as skimpy, and
one of them throws up her part, which almost reduces _Lulli_ to tears.
The other undertakes it at a moment's notice, whereupon the first lady
tries to scratch her eyes out, and then has a fit of hysterics. Both
ladies have hysterics. A bell rings and, suddenly remembering that a
Royal Ante-room is _rather_ a public place to dress in, they catch
up the ballet-skirts and flee, Attendants remove the dressing-tables.
_Tableau_ over. Plot where it was.
TABLEAU III.--Grand Reception Room in the Palace. Enter the Queen,
sulky, because _Louis_ has taken all the Pages, and only left her
a couple of Chamberlains. Enter _Louis_, more impudent than ever.
They take their places on a _daïs_; the hangings at head of a
flight of steps behind are withdrawn, and the first "Grand Ballet
Divertissement" begins. _Louis_ frankly bored, knowing there's another
to come after that. Ballet charming, but he doesn't deign to glance
at it, gives all his attention to a stuffed lamb on the top of the
steps. Bevy after bevy of maidens disclosed behind hangings, each
more bewitching and gorgeously attired than the last--but they don't
interest _Louis_,--or else the presence of the Queen restrains him.
Instructive to note the partiality of the _Corps de Ballet_. When
Signorina DE SORTIS dances, they are so overcome that they lean
backwards with outstretched arms in a sort of semi-swoon of delight.
But the other lady may prance and whirl and run about on the points
of her toes till she requires support, and they merely retire up and
ignore her altogether. There is a dancing Signor in pearl grey, who
supports first one Signorina and then the other with the strictest
impartiality, and finally dances with both together, to show that he
makes no distinctions and has no serious intentions. All this time
_Louis_ has been getting more and more restless; now and then he makes
some remark, evidently disparaging, to the Queen, who receives it
coldly. But at last he can't stand it any longer. "Call this dancing!
_I'll_ show 'em how to dance!" his look says. "Where's LOUISE?" And he
gets up, pulls himself together, and invites her to come and dance a
minuet. Queen disgusted with him, but pretends not to notice. _Louis_
goes through minuet with extreme satisfaction to himself. Enter Page
with an immense cushion, on which is "_a bracelet of great value_"
(Argument again). Queen excited--thinks it's for _her_; but _Louis_
Public-domain text, read in full here on John Shaqi.
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