Punch, or the London Charivari, Volume 102, June 4, 1892Various
General
Punch, or the London Charivari, Volume 102, June 4, 1892
Various
English wit and humor -- Periodicals
[Illustration: Bob-Cherry Duet.]
As to _L'Amico Fritz_, I should suggest that it be played in one
Scene and two Acts. That this one Scene should be the Exterior of
Cherry-Tree Farm (which should be _Fritz's_, not the _Rabbi's_)
and that instead of lowering the Curtain, the _intermezzo_--not I
venture to opine equal to the marvellous _intermezzo_ in _Cavalleria
Rusticana_--should be played. _L'Amico_ is certain of an encore, and
this will give the singers a rest. It could then commence at nine--a
more convenient hour to those who would like to hear every note of it,
than 8:15, and it would be over by eleven sharp. A nod is as good as a
wink to Sir DRURIOLANUS, but all the same, Heaven forefend I should
be guilty of either indiscretion in the Imperial Operatorial presence.
Thus much at present.
_Friday._--"It's the smiles of its AUGUSTUS and the heat of its
July"--adapted quotation from "Old Song." "I cannot sing the old
song"--except under a sense of the deepest and most unpardonable
provocation; and when I do!!--_Cave canem, ruat coelum!_ I bring down
the house as Madame DELILAH's SAMSON did. To-night _Manon_ is indeed
warmly welcomed. "A nice Opera," says a young lady, fanning herself.
"I wish it were an iced Opera," groans WAGSTAFF, re-issuing one of
his earliest side-splitters. M. VAN DYCK strong as the weak _Des
Grieux_, but Madame MRAVINA apparently not strong enough. "What made
author-chap think of calling her _Manon_?" asks languid person in
Stalls. WAGSTAFF, revived after an iced B.-and-S., is equal to the
occasion. "Such a bad lot, you know--regular man-catcher; hooked a
_man on_, then, when he was done with, hooked another man on. Reason
for name evident, see?" The _Cavalleria Rusticana_ is the favourite
for Derby Night. All right up to now, Sir DRURIOLANUS.
* * * * *
TENNER SONG FOR DERBY DAY.--"_He's got it on!_"
* * * * *
[Illustration: WHAT OUR ARTIST (THE SMALL AND SUSCEPTIBLE ONE) HAS TO
PUT UP WITH.
_Miss Binks._ "PRAY, MR. TITMOUSE, WHY DO YOU ALWAYS DRAW SUCH
IMMENSELY TALL WOMEN?"
_Our Artist._ "WELL, MISS BINKS, I SUPPOSE IT'S BECAUSE I'M SUCH A
TINY LITTLE MAN MYSELF. CONTRAST, YOU SEE!"
_Miss Binks._ "AH, YES, CONTRAST! THAT IS HOW WE TINY LITTLE WOMEN
ALWAYS ATTRACT ALL THE FINE TALL MEN! THAT'S HOW _WE_ SCORE!"
_Our Artist._ "EXACTLY. I ONLY WISH TO GOODNESS YOU'D ATTRACT THAT
VERY FINE TALL MAN AWAY FROM MISS JONES--THEN _I_ MIGHT HAVE A CHANCE,
PERHAPS!"]
* * * * *
A VERY "DARK HORSE."
Public-domain text, read in full here on John Shaqi.
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