Punch, or the London Charivari, Volume 103, December 3, 1892Various
General
Punch, or the London Charivari, Volume 103, December 3, 1892
Various
English wit and humor -- Periodicals
_Two Days later._--They crammed _forty_ Witnesses into that passage!
No seats for half of them. We had one chair, and Usher took it away
"as a lady wanted it in Court." Lady no doubt a spectator--did _she_
hunt in her pocket for half-a-crown? Anyhow, after two days in the
passage, I have just given my evidence in Court, with fearful cold
on my lungs, owing to the draught. Very hoarse. Ordered by Judge,
sternly, to "speak up." Conscious that I looked a wretched object.
Jury regarded me with evident suspicion. Severely cross-examined.
Mentioned to Judge about my windows being smashed, &c.; could I
receive anything for it? "Oh, dear no," replied the Judge; "we never
reward Witnesses." Amusement in Court--at my expense. In fact, the
course of Justice generally seems to be altogether at my expense.
Home in a cab and a fever. Find ten more threatening letters, and an
infernal machine under area-steps. Go to bed. Doctor says I am in
for pneumonia and bronchitis, he thinks. Tells me I am thoroughly
run down, and asks me, "What I've been doing to reduce myself to this
state?" I reply that, "I have been assisting the course of Justice."
Doctor shrugs his shoulders, and I hear him distinctly mutter, "More
fool you!" I agree with Doctor, cordially. Am quite certain now that
it _was_ unwise to tell Police that I could identify those criminals.
If this is the way in which Witnesses are treated, let Justice in
future assist itself!
* * * * *
OUR BOOKING-OFFICE.
My Baronite has been reading _Mona Maclean, Medical Student_.
(BLACKWOOD.) "It is," he tells me, "a Novel with a purpose--no
recommendation for a novel, more especially when the purpose selected
is that of demonstrating the indispensability of women-doctors."
Happily GRAHAM TRAVERS, as the author (being evidently a woman)
calls herself, is lured from her fell design. There is a chapter or
two of talk among the girls in the dissecting-room and the chemical
laboratory, with much about the "spheno-maxillary fossa," the
"dorsalis pedis," and the general whereabouts of "Scarpa's triangle."
But these can be skipped, and the reader may get into the company of
_Mona Maclean_ when she is less erudite, and more womanly. When not
dissecting the "plantar arch," _Mona_ is a bright, fearless, clever
girl, with a breezy manner, refreshing to all admitted to her company.
The episode of her shopkeeping experience is admirably told, and
affords the author abundant and varied opportunity of exercising her
gift of drawing character. _Mona Maclean_ is, apparently, a first
effort at novel-writing. The workmanship improves up to the end of the
third volume; and Miss TRAVERS' next book will be better still.
[Illustration: Affection's Offering--from Alfred the Second to Dear
George the first.]
Public-domain text, read in full here on John Shaqi.
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