Punch, or the London Charivari, Volume 103, October 22, 1892Various
General
Punch, or the London Charivari, Volume 103, October 22, 1892
Various
English wit and humor -- Periodicals
_Brown_. So am I. They are very interesting.
_Robinson_. Do you think so? Well, so far as I am concerned, I
prefer Melodrama. Judging from the title, _The Gory Hand_ should be
uncommonly good.
[_Exeunt into Theatre. After a pause they return to the
Refreshment Room._
_Brown_. Well, it is very clever; but I confess it beats me. (_To Bar
Attendant._) We will all take soda-water. No, thanks, quite neat, and
for these gentlemen too.
_Jones_. Well, I call it a most excellent psychological study.
However, wants a clear head to understand it. (_Sips his soda-water._)
I don't see how she can take the flag from the Bishop, and yet want to
marry the Englishman.
_Robinson_. Ah, but that was before the vision. If you think it over
carefully, you will see it was natural enough. Of course, you
must allow for the spirit of the period, and other surrounding
circumstances.
_Brown_. Are you going to stay for _The Gory Hand_?
_Jones_. Not I. I am tired of play-acting, and think we have had
enough of it.
_Robinson_. Well, I think I shall look in. I am rather fond of strong
scenes, and it should be good, to judge from the programme.
_Jones_. Well, we will "sit out." It's rather gruesome. Quite
different from the other plays.
_Robinson_. Well, I don't mind horrors--in fact, like them. There goes
the bell. So I am off. Wait until I come back.
_Brown_. That depends how long you are away. Ta, ta!
[_Exit ROBINSON._
_Jones_. Now, how a fellow can enjoy a piece like that, I cannot
understand. It is full of murders, from the rise to the fall of the
Curtain.
_Brown_. Yes--but ROBINSON likes that sort of thing. You will see
by-and-by how the plot will affect him. It is rather jumpy, especially
at the end, when the severed head tells the story of the murder to the
assistant executioner. I would not see it again on any account.
_Jones_. No--it sent my Maiden Aunt in hysterics. However, it has the
merit of being short. (_Applause._) Ah, there it's over! Let's see
how ROBINSON likes it. That _tableau_ at the end, of the
starving-coastguardsman expiring under the rack, is perfectly awful!
(_Enter ROBINSON, staggering in._) Why, my boy, what's the matter?
_Brown_. You do look scared! Have something to drink? That will set it
all to-rights!
_Robinson_ (_with his eyes protruding from his head, from horror_).
Here, help! help! (_After a long shudder._) Brandy! Brandy I: Brandy!
[_At all the places at the bar there is a general demand for
alcohol._
_Brown_. Yes. IRVING was right; soda-water does very well for
SHAKSPEARE's histories, but when you come to a piece like _The Bells_,
you require supporting. [_Curtain and moral._
* * * * *
"IN A WINTER (COVENT) GARDEN."
Public-domain text, read in full here on John Shaqi.
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