Punch, or the London Charivari, Volume 104, January 14, 1893Various
General
Punch, or the London Charivari, Volume 104, January 14, 1893
Various
English wit and humor -- Periodicals
[Illustration: TOO AFFECTIONATE BY HALF.
_Auntie._ "OH, YOU NAUGHTY BOY! WHAT ARE YOU DOING? SMOKING!
WHY YOU'LL NEVER GROW!"
_Artful Nephew._ "THAT'S JUST IT, AUNTIE. I DON'T WANT TO
GROW. I WANT TO KEEP THE SAME SIZE ALWAYS, SO THAT I CAN SIT
ON YOUR LAP, AN' LOVE YOU!"]
* * * * *
[Illustration: MR. PUNCH'S SKATING PARTY.]
* * * * *
OUR BOOKING-OFFICE.
"Have you read," asks one of the Baron's Assistants of his Chief,
"Miss BRADDON's Christmas Annual? It is entitled, _The Misletoe
Bough_, and contains some of the best short stories I have read
lately. One of them, 'In Mr. CARTWRIGHT's Library,' is a remarkable
combination of quaint, dry humour, and literary skill. Who is the
clever author? But here are other stories, too, that interest and
please, and, not least among them, a charming sketch, by the ever
welcome editress. Bravo, Miss BRADDON!
[Illustration]
"_Brownies and Rose-leaves_, by ROMA WHITE (INNES & CO.), is a pretty
little book, prettily written, prettily illustrated by LESLIE BROOKE,
and prettily bound," he continues. "Miss WHITE has a charming knack of
writing musical verse, simple, rhythmical, delightful. To children and
their parents, I say, take my tip (the only one parents will get at
this season), and read ROMA WHITE's dainty, delicate, fresh and breezy
book."
* * * * *
ROBIN POOR FELLOW!
_Robin Goodfellow_, by Mr. CARTON, is not a brilliant play, as its
dialogue lacks epigrammatic sparkle: neither is it an interesting
play, as the plot, such as it is, is too weak for words,--which, by
the way, at once accounts for the absence of the sparkle
above-mentioned.
Three questions must have occurred to those who have already seen the
play, and which those who may hereafter see it will be sure to ask
themselves,--and they are these:--
[Illustration: Nearly burning his fingers. Mr. Hare acting
with Grace.]
First. Why should _Grace's_ father, _Valentine Barbrook_, tell her of
the means by which he had brought about the betrothal of _Hugh Rokeby_
to _Constance_?
Secondly. This being so, why allow six weeks to elapse when a word
from the one girl, who knows, to the other, who doesn't, would explain
everything?
Thirdly. If a sudden shock would kill the grandmother, surely, in the
course of six weeks, _Grace_ would have found out that her shortest
and best way was to tell the truth to her cousin, without mentioning
it to the old lady.
If in doubt, why didn't she confide in the Doctor, who would at once
have told her whether the nature of the communication she had to make
was of a sufficiently startling nature to kill the old lady right off
or not?
Public-domain text, read in full here on John Shaqi.
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