Punch, or the London Charivari Volume 107, October 13, 1894 _edited by Sir Francis Burnand_ MAKING THE RUNNING WITH "THE DERBY WINNER." DRURIOLANUS has scored another success. And why not? Surely he deserves it, for, with the assistance of his two collaborators, CECIL RALEIGH and HENRY HAMILTON, Sir AUGUSTUS HARRIS has trained a Derby winner that will carry all before him over the Drury Lane course until the place is required for the pantomime. And the training has been most judicious. The problem the three stable companions (for the piece is nothing if not horsey) set themselves was to produce a drama that would fill the Grand National Theatre both before and behind the curtain. This problem they have solved to the satisfaction of all parties. [Illustration: "Three to One on."] The method adopted is simple enough. Take, for instance, the First Act. One of the authors no doubt suggested the interior of a country house. "Quite so," says DRURIOLANUS, "a nobleman's country house. I will show you how to do it." And he does. "O _Todgers's_ can do it when it likes!" Gorgeous hall with a billiard table thrown in at the back to give an idea of the luxury and magnitude. And then the company! Earls and Countesses and Lords and Ladies and a Duchess! Why, even the villain is a major in a crack cavalry regiment, and the low comedian a surgeon who has worn the Queen's uniform. Apparently to give the latter additional aristocratic gloss, the Duchess is made to be in love with him. And the plot? Why, of course. Let Miss ALMA STANLEY arrive direct from India to sow discord between my Lord the hero and my Lady the heroine. This she does, looking charming in her villainy, and wearing a striking costume. My Lord tells her "to begone" (a most unreasonable request, by the way, as she has arrived at the Hall in the middle of the night, with evidently any number of boxes), but she won't. Miss ALMA STANLEY prefers to faint in my Lord's arms, to the great indignation of my Lady. Tableau and curtain.