Punch, or the London Charivari, Volume 152, March 21, 1917Various
History
Punch, or the London Charivari, Volume 152, March 21, 1917
Various
English wit and humor -- Periodicals
ELLA REEVE.
One can't be too careful how one boasts, especially if there is the chance
of the boast being put quickly to the proof. In fact, it is better perhaps
not to boast at all.
I was sitting with a friend and a stranger in a London restaurant, having
joined their table for coffee. The stranger, on introduction, turned out to
be connected with the stage in some capacity as agent, and among his
regular clients were the managers of various big provincial theatres, for
whom he provided the leading lights of pantomime, or, as he would call it,
panto. Panto was indeed the mainstay of his business; it was even the warp
and woof of his life. He lived for panto, he thought panto, and he talked
panto. No one, according to him, had a more abysmal knowledge of principal
boys with adequate legs, principal (if that is still the word) girls with
sufficient voices, contralto fairy queens with abundant bosoms, basso demon
kings, Prince Dandinis, Widow Twankays, Ugly Sisters, and all the other
personages of this strange grease-paint mythology of ours. Listening to
him, I learned--as those who are humble in spirit may learn of all men. I
learned, for example, that Ugly Sisters are at Christmas-time always Ugly
Sisters, and very often use again the same dialogue, merely transferring
themselves from, say, Glasgow to Wigan, or from Bristol to Dublin; and this
will be their destiny until they become such very old men that not even the
kindly British public will stand it any longer. England, it seems, is full
of performers who, touring the halls from March to December, are then
claimed for panto as her own, arriving a little before Christmas not less
regularly than the turkey; and the aim of all of them is as nearly as
possible to do the next Christmas what they did last Christmas.
Not only did my new acquaintance know all these people, their capabilities
and the lowest salary that could be offered to them with any chance of
acceptance, but he was also, it seemed, beloved by them all. Between agent
and client never in the history of the world had such charming relations
subsisted as between every pro. on his books and himself.
It was then that Ella Reeve came in.
Accompanied by two expensive-looking men, whose ancestors had beyond any
doubt crossed the Red Sea with Moses, this new and glittering star, who had
but just "made good," or "got over," or "clicked" (my new acquaintance used
all these phrases indiscriminately when referring to his own Herschellian
triumphs as a watcher of the skies), walked confidently to a distant table
which was being held in reserve for her party, and drew off her gloves with
the happy anticipatory assurance of one who is about to lunch a little too
well. (All this, I should say, happened before the War. I am reminded of it
to-day by the circumstance that I have just heard of the death of the agent
whom I then met.)
The impact of the lady on this gentleman was terrific.
Public-domain text, read in full here on John Shaqi.
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