Punch, or the London Charivari, Volume 153, July 4, 1917Various
History
Punch, or the London Charivari, Volume 153, July 4, 1917
Various
English wit and humor -- Periodicals
Mr. EADIE was a beloved vagabond of a plumber doing a fine part on his
head, as is his way nowadays. But the thing is so good that it is
perhaps ungracious to remind him he could make it better. Mr. SIDNEY
PAXTON'S triumph with _Poulder_ was his admirable restraint--rarest of
accomplishments among comic stage butlers. The effect of everything was
heightened by this excellent economy. It was a lesson in artistic
reticence. An even more notable feat in the same kind was _The Press_
of Mr. LAWRENCE HANRAY. Obviously he could have collected a good deal
more of the laughter of the house if he had played less subtly. I
should put it as quite the best piece of playing in a well-played
piece. Mr. DAWSON MILWARD has made a deserved reputation as the strong
silly ass. He sustained it--with something in hand. Mr. STEPHEN EWART'S
_James_ was a quite excellent performance, not very coherent and
consistent in conception on the author's part, perhaps, and on that
account all the more difficult. Miss ESME HUBBARD gave us pathos
skilfully reserved in her clever study of an old, old countrywoman
turned trousers-maker; and little DINKA STARACE showed quite
astonishing aptitude (or the most wonderful training) in the part of
her granddaughter. Miss BABS FARREN also did well with her rather
intrusive part of _Lord William's_ daughter.
_Box B_, by Mr. COSMO GORDON LENNOX, was just a gay trifle to send us
home easy-minded to bed. _Bobby Stroud_, Zepp-strafer, kisses a pretty
(oh, ever such a pretty!) widow by mistake. And continues by
arrangement. Miss IRIS HOEY was really perfectly irresistible--something
ought to be done about it. She would have reduced the whole Flying Corps
to dereliction of duty. Mr. FRANK BAYLY had just that air of awkward
modesty which is so much more effective than plain swank as an
advertisement of gallantry, and Miss MURIEL POPE played a programme-girl
with all the skill that an artist thinks is worth putting into little
things.
The best evening that I've had in the stalls since the War began ever
so long ago.
T.
[Illustration: The Press (Mr. LAWRENCE HANRAY) invites The Nobility (Mr.
DAWSON MILWARD) to give its views on things in general.]
* * * * *
THERE USED TO BE--
There used to be fairies in Germany--
I know, for I've seen them there
In a great cool wood where the tall trees stood
With their heads high up in the air;
They scrambled about in the forest
And nobody seemed to mind;
They were dear little things (tho' they didn't have wings)
And they smiled and their eyes were kind.
What, and oh what were they doing
To let things happen like this?
How could it be? And didn't they see
That folk were going amiss?
Were they too busy playing,
Or can they perhaps have slept,
That never they heard an ominous word
That stealthily crept and crept?
Public-domain text, read in full here on John Shaqi.
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