Punch, or the London Charivari, Volume 153, September 26, 1917Various
History
Punch, or the London Charivari, Volume 153, September 26, 1917
Various
English wit and humor -- Periodicals
I think BEATRICE GRIMSHAW tortures overmuch her tough bronzed
Australian hero, who "could fight his weight in wild cats," and
her beautiful slender heroine, "daughter of castles, descendant of
crusaders." First the twain fall desperately in love, and _Edith_,
the Catholic, discovers _Ben_ to be an innocent _divorcé_. Marriage
impossible, they part. But it is apparently quite in order for her to
marry, without loving, a cocoa king who drinks--anything but cocoa;
which done, to add to the bitterness of the cup, _Ben's_ wife is
reported dead. Whereafter the king in a drunken fit poisons himself,
and the widow, fearing to be suspect, flies with her big _Ben_ to his
secret _Nobody's Island_ (HURST AND BLACKETT), off the New Guinea
coast, where they live comfortably off ambergris. Eventually tracked
down by the dead king's brother, who allows himself to be persuaded of
_Edith's_ innocence on what seems to me the most inadequate evidence,
the lovers, after protracted mental agonies and physical dangers,
are about to enjoy deserved peace when _Ben's_ wife turns up again,
necessitating further separation; till finally _Edith_, with a
handsome babe and the news that after all _Ben's_ first wife wasn't
a wife at all, finds her way back to Nobody's Island. Now that does
seem to be rather overdoing it. But I hasten to credit the writer with
a very happy gift of description, which brings the Papuan forests
and mountains (or something plausibly like them) vividly before the
reader, while the characters, including a boy villain ingenuously
bizarre, are amusing puppets capably manipulated.
* * * * *
Mrs. BARNES-GRUNDY possesses a wonderful supply of sprightly humour.
_Her Mad Month_ (HUTCHINSON) is funny without being flippant, and
although the heroine is very naughty she is never naughty enough to
shock her creator's unhyphened namesake. Perhaps _Charmian's_ exploits
in escaping from a severe grandmother, and going unchaperoned to
Harrogate (where a very pretty piece of philandering ensued), do
not amount to much when seriously considered, but it is one of Mrs.
BARNES-GRUNDY'S strong points that you cannot take her seriously. I am
on her side all the time when she is giving me light comedy, but when
she leaves that vein and bathes her heroine in tears I cannot conjure
up any real sympathy. I never for a moment doubted that _Charmian's_
lover, though reported as having "died from wounds," would turn up
again. I am afraid the War is responsible for a great deal of rather
obvious fiction.
* * * * *
Public-domain text, read in full here on John Shaqi.
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