Punch, or the London Charivari, Volume 156, April 2, 1919Various
General
Punch, or the London Charivari, Volume 156, April 2, 1919
Various
English wit and humor -- Periodicals
Sir Thomas Tannin, K.B.E., speaking for his own Government department,
said that it was evident that Mr. WITT did not fully realise the
position. These were historic and abnormal times and abnormal measures
were necessary. We thought in high numbers, and therefore high numbers
of clerks were needed. Trafalgar Square was as conveniently central a
spot as could be found; hence their presence there. It had also been
pointed out by the chiefs of the Government Clerks' Tea Advisory Board
that the facilities for obtaining more water for boiling were unusual
on account of the proximity of the two great fountains. If anybody
could suggest a better place for the accommodation of all these young
ladies he would be glad to know of it. The only suggestion yet made
had reference to buildings which, having been designed for office
work, were obviously unsuitable. Another reason for keeping them on
was their cost. Economy in one direction might lead to economy
in another, and the whole fabric of the now bureaucracy would be
threatened. It was therefore useless to hope for any early change.
Sir SIDNEY LEE pointed out that, owing to the occupation of a large
part of the National Gallery, all the National Portrait Gallery, all
the Tate Gallery, and all Hertford House, where the Wallace Collection
is, by Government clerks, these national institutions were not open
to our soldiers from the Dominions and the provinces, who might never
again have the opportunity of refreshing their eyes by gazing upon
some of our most beautiful possessions. In their interest alone he
pleaded for the rapid conversion of the buildings to their proper
ends.
Sir Yutely Taryan, K.C.V.O., speaking for his own Government
Department, said that in his opinion a great deal of nonsense was
talked about art, both its educational value and its power of giving
pleasure. Speaking for himself, even in normal times, he would rather
see a picture gallery given up to living clerks than to dead canvases.
If he had his way there should be no pictures but those that
stimulated people to greater activity. He had, for example, never seen
any beauty in WHISTLER'S portrait of his (WHISTLER'S) mother until it
was reproduced as a War-savings poster, with words scrawled across it.
A few of the placards which American business men pinned up in their
offices, such as, "To Hell with Yesterday," were better than all the
Old Masters.
Public-domain text, read in full here on John Shaqi.
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