Punch, or the London Charivari, Volume 156, April 23, 1919Various
General
Punch, or the London Charivari, Volume 156, April 23, 1919
Various
English wit and humor -- Periodicals
Among the many things I like in DORETHEA CONYERS' novels is the
artistic subtlety, achieved by few of our other novelists, with which
she manages to write them as it were in character. I am quite sure
that if _Berenice Ermyntrude Nicosia Nevin_, who is called by her
initials on the cover and inside by what they spell, had tried to
write a novel it would have been remarkably like _B.E.N._ (METHUEN).
There would have been the same keen delight in horses, hunting and
Irish scenery, and the same cheerful disregard for such trifles as
spelling or such conventions as making quite sure that your reader
knows which character is speaking at any given moment, and the same
excellent humour, which, if it is at the expense of the Irish, is
kindly enough for all that. It seems to me that in her new novel Mrs.
CONYERS, wisely refusing to stray to that suburbia in which her gifts
lack this charm, has recaptured much of the careless rapture of her
earliest books; and very careless and very rapturous they wore. But I
am not quite sure that in real life even _Ben_, when as second whip to
the East Cara hounds she lost her horse, would have found an aeroplane
useful to catch up with. In case it should be objected that anything
so funny as the tea at _Miss Talty's_ never could happen, even in the
Caher Valley district, I want to put it on record here and now that it
could and does.
* * * * *
_The Mystery Keepers_ (LANE), by MARION FOX, reminds me of the old
riddle, "What is it that has feathers and two legs, and barks like
a dog?"--the answer being a stork. People who protest that a stork
doesn't bark like a dog are told that that part is put in to make
it harder. I find that the greater part of the mystery kept by _The
Mystery Keepers_ is put in to make it harder. The Abbey at Clynch St.
Mary has a "coise" put on it by the last Abbess, and every direct
male heir expires punctually on his twenty-first birthday. The actual
agency is a poisoned ring concealed in the frame of a portrait of
the malevolent Abbess and is in the custody of the _Otway_ family,
who enjoy a prescriptive if nebulous right to be stewards of the
property. Just how or why the _Otways_--noble fellows, we are given to
understand--carry out the deceased Abbess's nefarious wishes with such
precision and despatch is not explained. Anyway the mother of the last
victim, who has found out the secret, steals the ring, murders the
_Otway_ of the period, and retires to a lunatic asylum after her son
has himself stolen the ring from her workbox and poisoned himself into
the next world. That finishes it. The ring retires to a museum and the
proper people marry each other. It is a slender and quite impossible
story, but told in a clever way which goes far to redeem its lack of
substance.
* * * * *
Public-domain text, read in full here on John Shaqi.
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