Punch, or the London Charivari, Volume 156, June 18, 1919Various
General
Punch, or the London Charivari, Volume 156, June 18, 1919
Various
English wit and humor -- Periodicals
Mr. LYN HARDING, as _Flambeau_, veteran of NAPOLEON'S Army, introduced
a faint suggestion of badly-needed humour, and relieved the general
atmosphere of Court artificiality by a touch of nature which almost
reconciled us to the improbable burst of eloquence that ROSTAND, with
his reckless prodigality, assigned to this rough soldier.
Miss LETTICE FAIRFAX gave a pleasant air of irresponsibility to the
shallow _Maria Louisa_, and made her bear very lightly her cross of
widowhood (with bar). The briefest possible vision of Miss BETTY FAIRE
as _Fanny Elssler_ made me want to see much more of her; but Mr. Louis
PARKER had been Napoleonically ruthless with the text. His translation
sounded well, though the delivery of it sometimes left me doubtful as to
what was prose and what was verse. As for his production of the play, it
showed the old skill of a Past-Master of Pageantry.
Altogether Miss MARIE LÖHR has been justified of her courage. In a happy
little speech from which we learnt that every one of the voices (off) in
the Wagram scene was a demobilised voice from the fighting fronts, she
told us that her revival of _L'Aiglon_ was intended as a tribute to Art
after all these years of War. We were not, I think, meant to take
this as a reflection upon the part played by the British Theatre in
sustaining the nation's soul during the War. Anyhow, I for one shall
read into her words just a brave promise--not, I hope, too sanguine--of
what we may expect from the new birth of the Arts of Peace.
O.S.
* * * * *
ANOTHER PENDING INDEMNITY.
It has been said that the man who for his daily shave resorts habitually
to a barber has already become a subject for a drastic moral operation.
That may or may not be so, but having chambers in Ryder Street and
Alphonse residing within the precincts of St. James's, I would rather
have been carved morally into mincemeat than have robbed such an artist
of his self-expression.
That is how I felt about it in 1914 and in many preceding years, during
which, under the magic spell of Alphonse, the razor fell upon my cheek
like thistledown. Even to be lathered by him was an alluring form of
hypnosis. Alphonse was a Hokusai of barbers, but he was also a true son
of France; and there were Alsace and Lorraine and the arrogance of 1870
still to be accounted for. So Alphonse went, and in his place reigned
Ferdinand.
Ferdinand, what there was of him, was a good fellow. He was an old
fire-eater. He had lost a leg in Algeria and an eye somewhere else, and
he could not comprehend why such trivial matters should disqualify a man
for killing pigs. He was, as I have said, a good fellow, but his methods
of using a razor were mediaeval. However we were not long for one
another, and, as the R.N.V.R. tolerate such things, I grew a beard, an
equable, regulation torpedo beard.
Public-domain text, read in full here on John Shaqi.
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