Punch, or the London Charivari, Volume 156, June 18, 1919 — John Shaqi
Punch, or the London Charivari, Volume 156, June 18, 1919Various
General
Punch, or the London Charivari, Volume 156, June 18, 1919
Various
English wit and humor -- Periodicals
_Heritage_ (COLLINS) gives me much the same impression that one obtains
from the spectacle of a man wire-walking in a sack or painting pictures
with his toes--attempting, in short, any task under conditions of
the greatest possible handicap. That certainly is what Miss V.
SACKVILLE-WEST has been at pains to impose upon herself. With a
straightforward, simple and interesting tale and some considerable
gifts for reproducing character, she has deliberately sacrificed these
advantages by telling her story in the most roundabout and awkward
manner imaginable. The theme is the influence of heredity, as shown in
the working out of a strain of Spanish blood in a Sussex peasant stock,
the victims of this inconvenient blend being _Ruth_ and the young cousin
whom half-unwillingly she marries; with devastating results. _Ruth_, as
I say, was attracted to _Westmacott_ with only part of her being; the
better (or at least less Spanish) elements in her were employed in
making soft eyes at two other men, one of whom, _Malory_, is supposed to
relate portions of the affair to the quite superfluous outsider who
puts them down. This _vivâ-voci_ recital is subsequently rounded off
by _Malory_, in what is surely the least credible of all the unlikely
letters in fiction, nearly a hundred printed pages of it. So you see
the obstacles that Miss SACKSVILLE-WEST has placed in her own and her
reader's path. That, despite them all, the interest, and passion of this
first novel do get home is an encouraging omen for her success when she
has learnt a greater simplicity of attack.
* * * * *
_Wings of the Morning_ (HODDER AND STOUGHTON) might have been a most
recommendable book, for it is in essentials a pleasant story of a great
artist who for the crime of his hot-headed youth suffered imprisonment
in the United States, and, having "covered his tracks," came home, fell
in love with his delightful sister's delightful step-daughter and, after
much suffering for them both, told his history and won his lady. But
unfortunately the inessentials--and among these I have the temerity to
include the great European War, or, at any rate, very much that is here
told of it--are so harrowing that they do not accord with the pleasant
story to which they are tacked on. I would not ask to be spared the
knowledge of anything faced by other people while I sat immune at home,
but there are many incidents which cannot with decency or dignity be
served up in fiction to add a thrill to the enjoyment of an hour's light
reading. Miss JOAN SUTHERLAND would have done well to have left detail
to more serious exponents, and to have discarded entirely one scene
of bestial cruelty which has no real bearing on her tale. Never in a
novel--and seldom in historical accounts of fighting--have I been asked
to wallow in so much gore. It is all the more regrettable because when
Miss SUTHERLAND uses her imagination on less horrible subjects she is
much more successful.
Public-domain text, read in full here on John Shaqi.
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