Punch, or the London Charivari, Volume 156, May 21, 1919 — John Shaqi
Punch, or the London Charivari, Volume 156, May 21, 1919Various
General
Punch, or the London Charivari, Volume 156, May 21, 1919
Various
English wit and humor -- Periodicals
_Sir Gladney Jebb_. Do you not think that if all compositions were
written in the key of C it would materially conduce to the greatest
happiness of the greatest number?--The President has already
deprecated the multiplication of hypothetical questions, which have
reached a total of more than fifteen thousand.
_Viscount Vermicelli_. Do you think that the unrestrained performance
of Jazz-music conduces to the moral betterment of the simian
proletariat?--That seems to me to be a question which bears on the
administration of the Unnecessary Noises Act.
Are you in favour of the establishment of a Ministry for the Control
of Syncopation?--No; but I would cordially support a Bill for the
Compulsory Segregation of Irresponsible Collectivists.
In reply to Mr. Moody MacTear, Sir Mark Holloway said that he had
never been down a coal-mine, but that he had a few shares in a
gold-mine, which had cost him five pounds a-piece, but had never borne
any dividends and were now quoted at one-and-sixpence.
The next witness, Dame Frisca, the famous Californian singer, was
subjected to a remarkably severe examination by Mr. Moody MacTear.
_Mr. Moody MacTear_. Do you consider that the assumption of the title
_prima donna_ is compatible with democratic principles?--I never
assumed it; it was bestowed on me by the free suffrages of the musical
world.
_Mr. MacTear_. Then you admit that you possess it. Are you prepared
to submit proof of your title to the Commission?--Certainly; but it
would probably mean bringing forty van-loads of press-cuttings and
cause considerable congestion of traffic.
_Mr. MacTear_. Is it not the case that the _prima donna_ has been
condemned by the best musical critics as an obsolete anachronism,
tending to perpetuate the abuses of the "star" system and to foster
breaches of the Decalogue and to enhance the soloist at the expense
of the chorus?--I believe that WAGNER held the view expressed in the
opening part of your question, but he was unable to get on without
her, wrote a famous address to the Star of Eve, and gave the chorus
practically nothing to do in many of his operas.
_Mr. MacTear_. Is it not the case that the operatic tenor has been
pronounced on good authority to be not a man but a disease?--The
authority was a German conductor, who was presumably speaking of
German tenors.
_Mr. MacTear_. Have you ever been down a coal-mine?--No; but I was
presented with a diamond brooch by the diggers of Kimberley.
* * * * *
BAKERLOONACY.
This is a song of the Tube--
Let us begin it
By cursing the furies who fight and who bite ev'ry night
To get in it;
The folk who see red and who tread on the dead
And climb over the slain,
And who step on your face in the race for a place
In the train.
Public-domain text, read in full here on John Shaqi.
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