Punch, or the London Charivari, Volume 156, May 7, 1919.Various
General
Punch, or the London Charivari, Volume 156, May 7, 1919.
Various
English wit and humor -- Periodicals
At the instance of Lord STRACHIE the House of Lords conducted a
spirited little debate on the price of milk. It appears that there
is a conflict of jurisdiction between the FOOD-CONTROLLER and the
MINISTER OF AGRICULTURE, and that the shortage in the supply of this
commodity must be ascribed to the overlapping of the Departments.
_Thursday, May 1st._--Sinn Fein has decreed that nobody in Ireland
should do any work on May Day. Messrs. DEVLIN and MACVEAGH, however,
being out of the jurisdiction, demonstrated their independence by
being busier than ever. The appointment of a new Press Censor in
Ireland furnished them with many opportunities at Question-time for
the display of their wit, which some of the new Members seemed to find
passably amusing.
Mr. DEVLIN'S best joke was, however, reserved for the Budget debate,
when, in denouncing the further burdens laid on stout and whisky, he
declared that Ireland was, "apart from political trouble," the most
peaceful country in the world.
The fiscal question always seems to invite exaggeration of statement.
The CHANCELLOR'S not very tremendous Preference proposals were
denounced by Sir DONALD MACLEAN as inevitably leading to the taxation
of food and to quarrels with foreign countries. Colonel AMERY, on the
other hand, waxed dithyrambic in their praise, and declared that
by taking twopence off Colonial tea the Government were not only
consecrating the policy of Imperial Preference, but were "putting the
coping-stone on it."
* * * * *
[Illustration: The Minister of Labour (anxious to find work for the
ex-munitionette drawing unemployment pay). "HERE, MODOM, IS A CHARMING
MODEL WHICH WOULD SUIT YOU, IF I MAY SO PUT IT, DOWN TO THE GROUND."]
* * * * *
A CELTIC COUNTER-BLAST.
The continued domination of the Russians in the domain of the ballet
has already excited a certain amount of not unfriendly criticism. But
our Muscovite visitors are not to be allowed to have it all their own
way, and we understand that negotiations are already on foot with a
view to enabling the Irish Ballet to give a season at a leading London
theatre in the near future.
The Irish Ballet, which is organised on a strictly self-determining
basis, is one of the outcomes of the Irish Theatre, but derives in its
essentials directly from the school established by Cormac, son of Art.
That is to say it is in its aims, ideals and methods permeated by the
Dalecarlian, Fomorian, Brythonic and Firbolgian impulse. Mr. Fergal
Dindsenchus O'Corkery, the Director, is a direct descendant of
Cuchulinn and only uses the Ulidian, dialect. Mr. Tordelbach
O'Lochlainn, who has composed most of the ballets in the répertoire,
is a chieftain of mingled Dalcassian and Gallgoidel descent. The
scenery has been painted by Mr. Cathal Eochaid. MacCathamhoil, and the
dresses designed by Mr. Domnall Fothud O'Conchobar.
Public-domain text, read in full here on John Shaqi.
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