Punch, or the London Charivari, Volume 159, August 11, 1920Various
General
Punch, or the London Charivari, Volume 159, August 11, 1920
Various
English wit and humor -- Periodicals
The great NAPOLEON had died many years before I was born; and how
unjust it is that the lives of really interesting people should not
coincide! But with the assistance of my beloved OLIVER LODGE I have
had many conversations with him. Our first opened in this manner:--
MARGOT. Do you take any interest in current English politics?
NAPOLEON. _Oui_ (Yes).
MARGOT. What do you think of LLOYD GEORGE?
NAPOLEON. An opportunist on horseback.
MARGOT. I love riding too. I met most of my friends in the
hunting-field. You should have seen me cantering into the hall of our
town mansion. Who do you think our greatest statesman?
NAPOLEON. ASQUITH beyond a doubt.
Both PLATO and JULIUS CAESAR, whom my beloved OLIVER has also
introduced to me, said the same thing.
E. V. L.
* * * * *
FLOWERS' NAMES.
SOLOMON'S SEAL.
Oh, lordly was KING SOLOMON
A-stepping down so proud,
With his negro slaves and dancing girls
And all his royal crowd;
His peacocks and his viziers,
His eunuchs old and grey,
His gallants and his chamberlains
And glistening array.
Oh, blithesome was KING SOLOMON
That burning summer day
When lo! a humble shepherdess
Stood silent in his way;
Then stepped down kingly SOLOMON,
And proud and great stepped he,
And there he kissed the shepherdess--
Kissed one and two and three.
Then proudly turned the peasant-maid--
Pale as a ghost was she--
"For all ye are KING SOLOMON,
What make ye here so free?"
Oh, lordly laughed KING SOLOMON,
"Shalt be my queen," quoth he;
"These kisses pledged KING SOLOMON
And sealed him to thee."
Then on went splendid SOLOMON
And all his glittering band,
And the wondering white peasant-girl
He led her by the hand;
But in that place sprang flower-stems
All green, for kingly pride,
With the small white kisses hanging down
With which he sealed his bride.
* * * * *
SQUATTERS.
Ursula came into the study, carrying something that had once been a
photograph, but which the ravages of time had long since reduced to a
faded and almost indecipherable problem.
"Dear," she said, "you know this portrait of Clara's boy, the one
in the sailor suit, from my writing-table? I was looking at it just
now----"
I interrupted her (it really was one of my rushed mornings). "I've
been looking at it any time these fifteen years," I observed bitterly,
"watching it become every day more and more fly-blown and like nothing
on earth. What entitles it to special notice at this moment?"
"Nothing--much," said Ursula; but from the tone of her voice
experience taught me that sentiment was only just out of sight. "I was
wondering whether to burn it----"
"Good."
"And then I thought that, as he was married the other day and is quite
likely to have a boy of his own, it would be interesting to compare
this early portrait."
Public-domain text, read in full here on John Shaqi.
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