Punch, or the London Charivari, Volume 159, August 25th, 1920 — John Shaqi
Punch, or the London Charivari, Volume 159, August 25th, 1920Various
General
Punch, or the London Charivari, Volume 159, August 25th, 1920
Various
English wit and humor -- Periodicals
... Not the least interesting and delicate of my duties as a confidential
adviser were connected with a work of reminiscences which created some stir
in the nineteen-twenties. How it came about I cannot recollect, but it was
thought that my poor assistance as a friendly censor of a too florid
exuberance in candour might not be of disservice to the book, and I
accepted the invitation. The volume being by no means yet relegated to
oblivion's dusty shelves I am naturally reluctant to refer to it with such
particularity as might enable my argus-eyed reader to identify it and my
own unworthy share therein, and therefore in the following dialogue,
typical of many between the author and myself, I disguise her name under an
initial. _Quis custodiet?_ It would be grotesque indeed if one whose
special mission was to correct the high spirits of others should himself
fail in good taste.
_Mrs. A. (laying down the MS. with a bang)._ I see nothing but blue pencil
marks, and blue was never my colour. Why are you so anxious that I should
be discreet? Indiscretion is the better part of authorship.
_EDMUND (earnestly)._ It is your fame of which I am thinking. If you adopt
my emendations you will go down to history as the writer of the best book
of reminiscences in English.
_Mrs. A. (with fervour)._ I don't want to go down to history. I want to
stay here and make it. And you (_with emotion_)--you have cramped my style.
I can't think why I asked you to help.
_EDMUND._ Everyone asks me to help. It is my destiny. I am the Muses'
_amicus curiae_.
_Mrs. A._ Oh, blow Latin! (_Lighting two cigarettes at once_) What's the
good of reminiscences of to-day, by me, without anything about L.G.?
_EDMUND._ Dear lady, it would never have done. Be reasonable. There are
occasions when reticence is imperative.
_Mrs. A._ Reticence! What words you use!
(_Caetera desunt._)
II.
FROM "A WEEK IN LOVELY LUCERNE."
By _D. Lloyd George_.
... I do not say that the mountains hereabout are not more considerable
than those of our own beloved Wales, but as material to be employed in
perorations they are far inferior. There is not the requisite mist (which
may symbolise ignorance or obstinacy or any temporary disturbance or
opposition), later to be dispelled by the strong beams of the sun
(representing either progress generally or prime-ministerial genius or pure
Coalitionism). Other local features I felt, however, I might find
rhetorically useful, such as THORWALDSEN'S Lion, so noble, so--so leonine,
but doomed ever to adhere to the rock, how symbolic of a strong idealist
unable to translate his ameliorative plans into action! The old bridge too,
uniting the two sides of the city, as one can attempt to link Radicalism
and Coalitionism--how long could it endure? And so on. One's brain was
never idle.
It was while we were at Lucerne that LORD RIDDELL and I had some of our
most significant conversations. I set them down just as they occurred,
extenuating nothing and concealing nothing.
Public-domain text, read in full here on John Shaqi.
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