Punch, or the London Charivari, Volume 159, December 22, 1920Various
General
Punch, or the London Charivari, Volume 159, December 22, 1920
Various
English wit and humor -- Periodicals
"The French are thinking of building straw houses to remedy the
present housing crisis. The first straw house has already been
built at Montargis."--_Evening Paper._
Where, presumably, they are trying it on the well-known local Dog.
* * * * *
"Negotiating the intricate traffic of the City was quite easy, the
engine being responsive to the slightest touch of the steering
wheel. It is just the car for the owner-driver."
_Financial Paper._
Our chauffeur agrees. He says _he_ wouldn't undertake to drive it down
the village street, let alone the City.
* * * * *
"IS SINGING ON THE DECLINE?
A GREAT TENOR'S ADVICE.
'NEVER FIGHT AGAINST THE BRASS.'"
_Morning Paper._
It is, we believe, the experience of most impresarios that great
tenors almost invariably fight _for_ the brass.
* * * * *
[Illustration: "QUICK, MUMMIE! COME AND HELP BOBBIE--HE'S FALLEN INTO
THE LUCKY DIP."]
* * * * *
OUR BOOKING-OFFICE.
(_By Mr. Punch's Staff of Learned Clerks._)
So charged is it with liable-to-go-off controversy that I should
hardly have been astonished to see Mr. H. G. WELLS'S latest volume,
_Russia in the Shadows_ (HODDER AND STOUGHTON), embellished with
the red label of "Explosives." Probably everyone knows by now the
circumstances of its origin, and how Mr. WELLS and his son are (for
the moment) the rearguard in that long procession of unprejudiced
and undeceivable observers who have essayed to pluck the truth about
Russia from the bottom of the Bolshevist pit. What Mr. WELLS found is
much what was to be expected: red ruin, want and misery unspeakable.
The difference between his report and those of most of his forerunners
is that, being (as one is apt to forget) a highly-trained writer, he
is able to present it with a technical skill that enormously helps
the effect. Our author having been unable to deny the shadow, like
everyone else save perhaps the preposterous Mr. LANSBURY, the only
outstanding question is who casts it. The ordinary man would probably
have little hesitation about his answer to that. Mr. WELLS has even
less. He unhesitatingly names you and me and the French investors and
several editors. Well, I have no space for more than an indication of
what you will find in this undeniably vigorous and vehement little
volume. But I must not forget the photographs. Some of these, of
devastated streets and the like, have rather lost their novelty.
Unfortunately, however, for Mr. WELLS as propagandist he has also
included a number of the most revealing portraits yet available of the
men who are hag-riding a once great nation to the abyss. I can only
say that for me those portraits put the finishing touch to Mr. WELLS'S
argument. They extinguish it.
* * * * *
Public-domain text, read in full here on John Shaqi.
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