Punch, or the London Charivari, Volume 159, July 7th, 1920Various
General
Punch, or the London Charivari, Volume 159, July 7th, 1920
Various
English wit and humor -- Periodicals
And some in a kind of fever rushed hither and thither among the thick
crowd, avoiding disaster with marvellous dexterity; and sometimes they
revolved slowly and sometimes quickly and sometimes spun giddily round for
a moment like gyroscopic tops. Then they too would be seized with a kind of
trance, or it may be with sheer shortness of breath, and hung motionless
for a little in the centre of the room, while the mad throng jostled and
flowed about them like the leaves in Autumn round a dead bird.
And some did not revolve at all, but charged straightly up and down; and
some of these thrust their loves for ever before them, as the Prussians
thrust the villagers in the face of the enemy, and some for ever navigated
themselves backwards like moving breakwaters to protect their darlings from
the precipitate seas.
Some of them kept themselves as upright as possible, swaying slightly like
willows from the hips, and some of them contorted themselves into strange
and angular shapes, now leaning perilously forward till they were
practically lying upon their terrified partners, and now bending sideways
as a man bends who has water in one ear after bathing. All of them clutched
each other in a close and intimate manner, but some, as if by separation to
intensify the joy of their union, or perhaps to secure greater freedom for
some particularly spacious manoeuvre, would part suddenly in the middle of
the room and, clinging distantly with their hands, execute a number of
complicated side-steps in opposite directions, or aim a series of vicious
kicks at each other, after which they would reunite in a passionate embrace
and gallop in a frenzy round the room, or fall into a trance or simply fall
down. If they fell down they lay still for a moment in the fearful
expectation of death, as men lie who fall under a horse; and then they
would creep on hands and knees to the wall through the whirling and
indifferent crowd.
Watching them, you could not tell what any one couple would do next. The
most placid and dignified among them might at any moment fling a leg out
behind them and almost kneel in mutual adoration, and then, as if nothing
unusual had happened, shuffle onward through the press; or, as though some
electric mechanism had been set in motion, they would suddenly lift a foot
sideways and stand on one leg. Poised pathetically, as if waiting for the
happy signal when they might put the other leg down, these men looked very
sad, and I wished that the Medusa's head might be smuggled somehow into the
room for their attitudes to be imperishably recorded in cold stone; it
would have been a valuable addition to modern sculpture.
Public-domain text, read in full here on John Shaqi.
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