Punch, or the London Charivari, Volume 93, July 16, 1887Various
General
Punch, or the London Charivari, Volume 93, July 16, 1887
Various
English wit and humor -- Periodicals
_In Gray's Inn Hall._--_Notes by a Very Ordinary Person._--Crushed.
Difficulty with hat. That's why I dislike a _Matinée_, because you
can't come in a crush hat. But you're sure to go away in a
crush hat. Opera-hat in daytime looks so disreputable: suggestive
of having been out all night. While hiding my hat, lost my book.
Probably under lady's dress. No use trying for it. Band outside
plays National Anthem, and a voice from a dark recess shouts out
some word of command to the Beefeaters--(poor chaps, in this hot
weather "the Overdone-Beefeaters"--fine-looking fellows with prime
joints)--and then enter Royalties. Can't see them. They're seated.
Enter, in front, tall young men in coloured tunics, knicker-bockers,
and turn-down collars. What are these? The Backward Pupils of Gray's
Inn? No. The Orchestra. It commences. There are fiddles, and basses, and
a second-hand cracked piano, suggestive of having been hired from
itinerant Minstrels on Margate Sands. My neighbour asks me if the band
is "COOTE and TINNEY?" My reply is evident--"More Tinny than Coot."
Neighbour informs me that the cracked piano is really a very old
instrument, in use about the time of Queen ELIZABETH. Exactly: just what
I should have thought. The Benchers ought to have been rich enough by
now to have bought a new one. When a thing is to be done, do it well.
No cracked pianos. Not worth fourpence an hour.
Curtain up. Low arch representing entrance to Old Gray's Inn. Enter a
Giant with a long white beard. I think he is Great Grandfather Christmas
off Gog and Magog's twelfth-cake. He solemnly salutes the audience in
military style. Why military? It suddenly occurs to me, "Is a Masque
funny?" I ask my neighbour. He is uncertain. Evidently a cautious man;
he will reserve his reply till he has seen it. Enter a Columbine, like
"My Lady" used to be on a May Day. She talks to Great Grandfather
Christmas, who seems frightened, and tries to back out of it. At present
I don't quite catch the plot. Next neighbour says he doesn't think there
is a plot. I ask him to look at his book. He says he is looking at it;
but it's printed in some dialect he doesn't understand. Enter another
Giant, dressed as a Jester. It appears that Great Grandfather Christmas
has forgotten his part, or left it in the dressing-room, and the Giant
Jester has kindly brought it him. No jokes as yet. No good lines. My
neighbour says this is the sort of thing Queen ELIZABETH liked. Did she!
And the cracked piano, too, for music, which, on the exit of the Giants
and the Columbine, comes out as strong as the poor old thing can when
supported by violins and violoncellos.
Public-domain text, read in full here on John Shaqi.
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