Punch, or, the London Charivari, Volume 98, March 8, 1890. — John Shaqi
Punch, or, the London Charivari, Volume 98, March 8, 1890.Various
General
Punch, or, the London Charivari, Volume 98, March 8, 1890.
Various
English wit and humor -- Periodicals
PUNCH,
OR, THE LONDON CHARIVARI.
VOLUME 98.
MARCH 8, 1890.
* * * * *
[Illustration: "This is what the County Council's Licensing Bill for
Places of Entertainment did _not_ intend, as, according to the latest
authoritative explanation, the L. C. C. does not consider Theatres as
coming under the head of "places of entertainment". Rather hard on the
Theatres!"]
* * * * *
THE LONDON COUNTY COUNCIL AND THE LYCEUM THEATRE.
APPEAL OF MR. HENRY IRVING. RESULT.
(_A not impossible Extract from Next Year's Morning Papers._)
Yesterday, before the Theatres Committee of the London County Council,
the appeal of MR. HENRY IRVING (the well-known actor and manager) against
the decision of the Sub-Committee to refuse a licence to the Lyceum
Theatre, came on for hearing.
After MR. HENRY IRVING (who appeared in person) had addressed the
Committee at some length, dwelling upon the character of the pieces he
had produced during his management, and the care and expense with which
they had been mounted, several members of the Committee expressed a wish
to put questions to him, which MR. IRVING promised to answer to the best
of his ability.
MR. HECKLEBURY. I think you told us that _Hamlet_ was one of your
favourite parts? Is it not the fact that the chief character in the play
drives his _fiancée_ to madness and suicide by his cruelty, slays her
father and brother, together with his own step-father, and procures the
death of two of his school-fellows?
MR. IRVING admitted that this was so. (_Sensation._)
MR. HECKLEBURY. That is all I wanted to ask you.
MR. FUSSLER. I understand that you have produced a play called _Othello_
on more than one occasion; perhaps you will inform us whether the
following passages are in your opinion suitable for public declamation?
(Mr. FUSSLER _then proceeded to read several extracts to which he
objected on account of their offensive signification_.)
MR. IRVING protested that SHAKSPEARE, and not himself, was responsible
for such passages.
MR. FUSSLER. Unfortunately, SHAKSPEARE is not before us--and you are.
You admit that you have produced a play containing lines such as
I have just read? That is enough for Us.
MR. MEDLAM. Unless I am mistaken, the hero in _Othello_ is not only a
murderer but a suicide?
MR. IRVING. Undoubtedly. (_Sensation._)
MR. MEDLAM. We have heard something of a piece called _The Bells_. I
seldom attend theatres myself, except in the exercise of my public
functions, but I do happen to have seen that particular play on one
occasion. Does my memory mislead me in saying, that you committed a
brutal and savage murder in the course of the drama?
MR. IRVING said that, as a matter of fact, the murder took place many
years before the curtain rose--otherwise, the Member's memory was
entirely accurate.
MR. MEDLAM. Whenever the murder was committed, it remains undetected,
and the criminal escapes all penalty--is not that the case?
Public-domain text, read in full here on John Shaqi.
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