Punch, or the London Charivari, Volume 99, October 25, 1890 — John Shaqi
Punch, or the London Charivari, Volume 99, October 25, 1890Various
General
Punch, or the London Charivari, Volume 99, October 25, 1890
Various
English wit and humor -- Periodicals
_Chorus of British Saleswomen_. _Will_ you allow me to show you this
little novelty, Sir? _'Ave_ you seen the noo perfume sprinkler? Do
come and try this noo puzzle--no 'arm in _lookin'_, Sir. Very nice
little novelties 'ere, Sir! 'Eard the noo French Worltz, Sir? every
article is really very much reduced, &c, &c.
AT THE FOLIES-BERGÈRE.
SCENE--_A hall in the grounds. Several turnstiles leading to
curtained entrances._
_Showmen_ (_shouting_). Amphitrite, the Marvellous Floatin' Goddess.
Just about to commence! This way for the Mystic Gallery--three
Illusions for threepence! Atalanta, the Silver Queen of the Moon; the
Oriental Beauty in the Table of the Sphinx, and the Wonderful Galatea,
or Pygmalion's Dream. Only threepence! This way for the Mystic Marvel
o' She! Now commencing!
_A Female Sightseer_ (_with the air of a person making an original
suggestion_). Shall we go in, just to see what it's like?
_Male Ditto_. May as well, now we _are_ 'ere. (_To preserve himself
from any suspicion of credulity._) Sure to be a take-in o' some sort.
[_They enter a dim apartment, in which two or three people are
leaning over a barrier in front of a small Stage; the Curtain
is lowered, and a Pianist is industriously pounding away at a
Waltz_.
_The F.S._ (_with an uncomfortable giggle_). Not much to see _so_ far,
is there?
_Her Companion_. Well, they ain't begun yet.
[_The Waltz ends, and the Curtain rises, disclosing a Cavern
Scene._ Amphitrite, _in blue tights, rises through the floor._
_Amphitrite_ (_in the Gallic tongue_). Mesdarms et Messures, j'ai
'honnoor de vous sooayter le bong jour! (_Floats, with no apparent
support, in the air, and performs various graceful evolutions,
concluding by reversing herself completely_). Bong swore, Mesdarms
et messures, mes remercimongs!
[_She dives below, and the Curtain descends._
_The F.S._ Is that all? I don't see nothing in _that_!
_Her Comp._ (_who, having paid for admission, resents this want of
appreciation_). Why, she was off the ground the 'ole of the time,
wasn't she? I'd just like to see _you_ turnin' and twisting about
in the air as easy as she did with nothing to 'old on by!
_The F.S._ I didn't notice she was off the ground--yes, that _was_
clever. I never thought o' that before. Let's go and see the other
things now.
_Her Comp._ Well, if you don't see nothing surprising in 'em till
they're all over, you might as well stop outside, _I_ should ha'
thought.
_The F.S._ Oh, but I'll notice more next time--you've got to get
_used_ to these things, you know.
[_They enter the Mystic Gallery, and find themselves in a
dim passage, opposite a partitioned compartment, in which
is a glass case, supported on four pedestals, with a silver
crescent at the back. The Illusions--to judge from a sound
of scurrying behind the scenes--have apparently been taken
somewhat unawares._
Public-domain text, read in full here on John Shaqi.
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