Punch, or the London Charivari, Volume 99, September 6, 1890 — John Shaqi
Punch, or the London Charivari, Volume 99, September 6, 1890Various
General
Punch, or the London Charivari, Volume 99, September 6, 1890
Various
English wit and humor -- Periodicals
I tried them with my Manual; it was but little good;
For not one word of their replies I ever understood.
They never said the sentences that _should_ have followed next:
I found it quite impossible to keep them to the text!
Besides, unblushing reference to a Conversation-Book
Imparts to social intercourse an artificial look.
So I let the beggars have their way. 'Twas everywhere the same;
I led the proper openings--they _wouldn't_ play the game.
Now I've pitched the Manual away that got me in this mess,
And in ingenious pantomime my wishes I express.
They take me for an idiot mute, an error I deplore:
But still--_I'm better understood than e'er I was before!_
* * * * *
A PRODUCT OF THE SILLY SEASON.
DEAR MR. PUNCH,
London at the end of August is not particularly inviting, save in one
respect--it is negatively pleasant to find that _Matinées_ are all
but suspended. I should say quite, were it not that the Shaftesbury
Theatre on the 27th opened its doors at a quarter to three o'clock
in the afternoon, for the performance of _The Violin Makers_, an
adaptation of _Le Luthier de Crémone_, and the production of a "new
and original Comedy sketch," in two Acts, called _The Deacon_, by
HENRY ARTHUR JONES. The first piece I had already seen at the Bushey
Theatre, with Professor HERKOMER, R.A., in the principal character.
I had now an opportunity of comparing the Artist-Actor with the
Manager-Actor, and must confess that I liked the former better than
the latter. Mr. WILLARD as _Filippo_, was Mr. WILLARD, but Professor
HERKOMER, shaved for the occasion, seemed to be anyone other than
Professor HERKOMER. The mounting of the piece at Bushey was also
greatly to be preferred to the _mise-en-scène_ in Shaftesbury
Avenue, and as the accomplished Artist-Actor had also supplied
some exceedingly touching music to his version of FRANÇOIS COPPEE's
Poetical Play, which was wanting two hundred yards from Piccadilly
Circus, I was altogether better pleased with the entertainment served
up with _sauce à la Herkomer_. I may be wrong in preferring the
amateur to the professional, or I may be right--after all, it is
merely a matter of opinion.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account