Yonkers, Norwalk, Stamford, and Elizabeth. * * * * * AMERICAN BUTTONHOLE, OVERSEAMING AND SEWING-MACHINE CO., 563 Broadway, New-York. This great combination machine is the last and greatest improvement on all former machines, making, in addition to all the work done on best Lock-Stitch machines, beautiful BUTTON AND EYELET HOLES; in all fabrics. Machine, with finely finished OILED WALNUT TABLE AND COVER complete, $75. Same machine, without the buttonhole parts, $60. This last is beyond all question the simplest, easiest to manage ant to keep in order, of any machine in the market. Machines warranted, and full instruction given to purchasers. * * * * * HENRY SPEAR STATIONER, PRINTER AND BLANK BOOK MANUFACTURER. ACCOUNT BOOKS MADE TO ORDER. PRINTING OF EVERY DESCRIPTION. 82 Wall Street NEW-YORK. THE PLAYS AND SHOWS. FROU-FROU. [Illustration with letter 'T'] This nice little French drama has now been running at the FIFTH AVENUE THEATRE more than seven weeks. It is the story of a man who killed the seducer of his wife, and then forgave and received back again the guilty woman. The same tragic farce was played in Washington some eleven years ago. The actor who played the part of the outraged husband made an effective hit at the time, but he has never repeated the performance. Since then he has become a double-star actor in a wider field, There are those who insist that he is an ill-starred actor in a general way; but as he has left the country, we can leave those who regard his absence as a good riddance of bad rubbish, and those who call it a Madriddance of good rubbish, to discuss his merits at their leisure. After the execution of unnecessary quantities of noisy overture by the orchestra, the play begins. Soon after, the audience arrives. It is a rule with our play-goers never to see the first scene of any drama. This rule originates in a benevolent wish to permit the actors to slide gradually into a consciousness that somebody is looking at them; thus saving them from the possibility of stage-fright. Simple folks, who do not understand the meaning of the custom, erroneously regard it as an evidence of vulgarity and discourtesy. The first act is not exciting. Mr. G.H. CLARKE, in irreproachable clothes, (the clothes of this actor's professional life become him, if any thing, better than his acting,) offers his hand to FROU-FROU, a small girl with a reckless display of back-hair, and is accepted, to the evident disgust of her sensible sister, LOUISE. _Sympathetic Young Lady who adores that dear Mr. Clarke_.--"How sweetly pretty! Do the people on the stage talk just like the _real_ French aristocracy?"