Punchinello, Volume 1, No. 04, April 23, 1870Various
General
Punchinello, Volume 1, No. 04, April 23, 1870
Various
American wit and humor -- Periodicals
Apropos of a recent debate in the Senate at Washington, a paragraph
states that "CARPENTER made SUMNER seem very small." The carpenter who
made SUMNER is not to blame for this. In the first place, Mr. SUMNER'S
Measures are very difficult to take. In the second place, the best
Cabinet-makers have failed to make Mr. SUMNER appear very large. In the
third and last place, Ebony, which is the only wood with which Mr.
SUMNER has any affinity, is a mighty hard material to work, even when
treated with the application of a Fifteenth Amendment.
* * * * *
The Maine Question in Massachusetts.
If New-York has had but little skating during the past winter,
Massachusetts just now displays a good deal of backsliding. Her
legislators have "gone back on" their liquor-bill, which they have
modified to suit their habits, and, should it become law, the druggists
of the Bay State will be at liberty to sell Bay and every other kind of
rum in quantities to suit purchasers. _Sic semper_ Massachusetts! the
English of which is, that Massachusetts will always keep Sick so long as
liquor is to be had for physic.
* * * * *
Trying to the Patients.
It is widely stated, though we cannot vouch for it as a fact, that the
poultices used in St. Luke's Hospital are supplied from the too
celebrated pavement of Fifth Avenue.
* * * * *
"Cometh up as a Flower."
It is stated that Pere HYACINTHE is about to take a wife.
That's right--Pair, HYACINTHE.
* * * * *
THE EPISODE OF JACK HORNER.
Probably there is no choicer specimen of English literature than the
familiar stanza which we herewith reproduce:
"Little JACK HORNER sat in a corner,
Eating his Christmas-pie,
He put in his thumb, and pulled out a plum,
And said, 'What a good boy am I!'"
Although comprised in merely four lines, it contains more instructive
truths and rarer beauties than some volumes whose pages can be
enumerated by the hundred. The opening line is singularly beautiful:
"Little JACK HORNER sat in a corner."
Here we hare the subject gracefully introduced without unnecessary
palaver or reference to family antecedents--the simple name given
without a long rigmarole of dazzling titles or senseless adjectives. The
Muse is neither pathetically invoked nor anathematically abused, but the
author proceeds at once to describe his hero's present situation, which,
it strangely appears, is in "a corner." The indefiniteness of the
locality--_a_ corner--is not of the slightest moment; for it does not
concern the general reader to know in what corner little JACK was
stationed. Suffice it, as is apparent from the context, that it was not
a corner in Erie, nor in grain; but rather an angle formed by the
juxtaposition of two walls of an apartment or chamber.
Public-domain text, read in full here on John Shaqi.
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