The stage is full. "Twelve inside." The driver does not seem to get along. He is constantly stopping or turning his horses to the sidewalk, right or left. You wonder what is the matter. You begin to think the whole town is striving to get a ride down with you in that particular "'bus." At every street-corner we linger or stop. Suddenly the door is pulled open with a jerk and our enemy leaps in. He sees the seats are filled, but he does not hesitate. There is always room for him. Indeed, his "spirit rises with the occasion." He becomes pertinacious as he is offensive. He tramples upon more than one pair of feet in his struggle to reach the middle of the omnibus. The passengers patiently submit to the intrusion with that quiet good nature with which Americans usually suffer imposition invasive of good manners, or petty social rights. They seem to feel they can "stand it" if he can. His mode of paying his fare evolves a climax of unconscious impertinence. In order to have free use of one hand to pass up his money, he grasps cane or umbrella with the other hand, by which he holds the pendent strap. By this means he loses control of the lower end of his stick, which thereby becomes an automatic instrument of torture, menacing your face and eyes in quite a savage way. Indeed, his apparent unconsciousness that he is a nuisance, and ought to be kicked out, really approaches the sublime. He is a pet of the driver, of course. Some innocent people wonder that the drivers of omnibuses or cars should feel so very charitably disposed toward the human family in general, as to take up extra passengers when all seats are filled. Short-sighted mortals! Do you not see it! The more passengers, beyond the complement of the "'bus," the more perquisites for an ill-requited profession. To return to our black sheep. Look where he stands. As he grows weary, he grasps the straps on either side to steady him. His attitude is a cunningly devised mode of tormenting his fellow-passengers. Either elbow of our nondescript just reaches the hat of your opposite neighbor or yourself. With each jolt of the stage, by a little dexterity of movement, or want of it, he can knock the hats over the eyes of two persons at a time, and by a little shifting of his position he can frequently bring down four by a single spasmodic lunge. When he is fresher, as in the morning, and can hold his own weight, he falls in his more natural posture. Would you know what that may be? Did you ever observe one of the descendants of the Lost Tribes who inhabit Chatham street dreamily waiting for a passing rustic? He is apparently in a comatose state. His abdomen is drawn in; his body is bent like a section of a hoop; his eyes are cast down; while both his hands are thrust deeply into his trowser's pockets. But I grow weary of the subject, and stop by commending the Thirteenth Man in the Omnibus to curiosity-hunters as a fungus growth of humanity nursed by over-virtuous forbearance. Hyperborean.