Purgatory: Doctrinal, Historical, and PoeticalSadlier, J., Mrs.
Religion
Purgatory: Doctrinal, Historical, and Poetical
Sadlier, J., Mrs.
Purgatory
"To say nothing of its greatness and goodness, the poem of Dante," says
Mariotti, "is the most curious of books. The register of the past,
noting down every incident within the compass of man's nature.... Dante
is the annalist, the interpreter, the representative of the Middle
Ages.... The ideas of mankind were in those '_dark_' ages
perpetually revolving upon that 'life beyond life,' which the
omnipresent religion of that _fanatical_ age loved to people with
appalling phantoms and harrowing terrors. Dante determined to
anticipate his final doom, and still, in the flesh, to break through
the threshold of eternity, and explore the kingdom of death.... No poet
ever struck upon a subject to which every fibre in the heart of his
contemporaries more readily responded than Dante. It is not for me to
test the soundness of the Roman Catholic doctrine of Purgatory, or to
inquire which of the Holy Fathers first dreamt of its existence. It
was, however, a sublime contrivance, unscriptural though it may be--a
conception full of love and charity, in so far as it seemed to arrest
the dead on the threshold of eternity; and making his final welfare
partly dependent on the pious exertions of those who were left behind,
established a lasting interchange of tender feelings, embalmed the
memory of the departed, and by a posthumous tie wedded him to the
mourning survivor.... Woe to the man, in Dante's age, who sunk into his
grave without bequeathing a heritage of love; on whose sod no
refreshing dew of sorrowing affection descended. Lonely as his relics
in the sepulchre, his spirit wandered in the dreaded region of
probation; alone he was left defenceless, prayerless, friendless to
settle his awful score with unmitigated justice. It is this feeling,
unrivalled for poetic beauty, that gives color and tone to the second
division of Dante's poem. The five or six cantos, at the opening, have
all the milk of human nature that entered into the composition of that
miscalled saturnine mind. With little more than two words, the poet
makes us aware that we have come into happier latitudes. Every strange
visitor breathes love and forgiveness. The shade we meet is only
charged with tidings of joy to the living, and messages of good will.
The heart lightens and brightens at every new stratum of the atmosphere
in that rising region; the ascent is easy and light, like the gliding
of a boat down the stream. The angels we become familiar with are
angels of light, such as human imagination never before nor afterwards
conceived. They come from afar across the waves, piloting the barge
that conveys the chosen spirits to heaven, balancing themselves on
their wide-spread wings, using them as sails, disdaining the aid of all
mortal contrivance, and relying on their inexhaustible strength; red
and rayless at first, from the distance, as the planet Mars when he
appears struggling through the mist of the horizon, but growing
brighter and brighter with amazing swiftness.
Public-domain text, read in full here on John Shaqi.
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