They stand at the gate of Purgatory, they guard the entrance to each of the seven steps of its mountain--some with green vesture, vivid as new-budding leaves, gracefully waving and floating in simple drapery, fanned by their wings; bearing in their hands flaming swords broken at the point; others, ash-colored garments; others again, in flashing armor, but all beaming with so intense, so overwhelming a light, that dizziness overcomes all mortal ken, whenever directed to their countenance. The friends of the poet's youth one by one arrest his march, and engage him in tender converse. The very laws of immutable fate seem for a few moments suspended to allow full scope for the interchange of affectionate sentiments. The overawing consciousness of the place he is in, for a moment forsakes the mortal visitor so miraculously admitted into the world of spirits. He throws his arms round the neck of the beloved shade, and it is only by the smile irradiating its countenance that he is reminded of the intangibility of its ethereal substance. The episodes of "the Purgatory" are mostly of this sad and tender description. The historical personages introduced seem to have lost their own identity, and to have merged into a blessed calmness, characterizing medium of the region they are all travelling through." It is plain that, bitterly hostile as is this faithless Italian to the Church of his fathers, and the truth which it teaches, his poetic instinct, at least, rises above mere prejudice, and enables him to penetrate into that dim but holy atmosphere created by the poet's genius, and yet more fully by the poet's faith. This homage to the union of religious grandeur, natural tenderness, and supernatural fervent charity, which make this doctrine unconsciously dear to every human heart, is of value coming from the pen of so prejudiced a witness. It is but one of countless testimonies that in all times, and in all ages, have sprung from the heart of man, as it were in his own despite. THE MOUTH OF NOVEMBER. [1] [Footnote 1: New York _Tablet_, Nov. 26, 1859.] MARY E. BLAKE (MARIE). It is but a few days since the Church has celebrated the triumph of her saints, rejoicing in the eternal felicity of that innumerable throng whom she has given to the celestial Sion. She invites us to share her joy. She bids us look up from the rugged pathway of our thorn-strewn pilgrimage to that blissful abode which is to be the term and the reward of all our trials. Yet, like a true mother, she cannot forget that portion of her family who are sighing for their deliverance, in that region of pain to which they are consigned by eternal justice. On one day she sings with radiant brow and tones of jubilee her _Sursum Corda_; on the next, she kneels a suppliant, chanting with uplifted hands and tearful eyes her _Requiem Æternam_; and we, the companions of her exile, shall we not sympathize with every emotion of the heart of our tender Mother?