Purgatory: Doctrinal, Historical, and PoeticalSadlier, J., Mrs.
Religion
Purgatory: Doctrinal, Historical, and Poetical
Sadlier, J., Mrs.
Purgatory
The allusion to the sibyl in the third line of the first stanza, "Teste
David cum Sybilla," [1] has given rise to a good deal of anxious
inquiry; and so very strange did it sound to French ears at its
introduction into the sacred hymnology of the Church, that the Parisian
rituals substituted in its place the line, _Crucis expandens
vexilla_. The difficulty is, however, easily overcome if we bear in
mind that many of the early Fathers held that Almighty God made use of
these sibyls to promulgate His truths in just the same way as He did of
Balaam of old, and many others like him. The great St. Augustine has
written much on this subject in his "City of God;" and the reader may
form some idea of the estimation in which these sibyls were held, when
he is told that the world-renowned Michael Angelo made them the subject
of one of his greatest paintings.... In the opinions of the ablest
critics it was the Erythrean sibyl who uttered the celebrated
prediction about the advent of our Divine Lord and His final coming at
the last day to judge the living and the dead.... The part of the
sibyl's response which referred particularly to the Day of Judgment was
written (as an acrostic) on the letters of Soter, or Saviour. It is
given as follows in the translation of the "City of God" of St.
Augustine:
[Footnote 1: As David and Sibyls say.]
"Sounding, the archangel's trumpet shall peal down from heaven,
Over the wicked who groan in their guilt and their manifold sorrows,
Trembling, the earth shall be opened, revealing chaos and hell.
Every king before God shall stand on that day to be judged;
Rivers of fire and of brimstone shall fall from the heavens."
DANTE'S "PURGATORIO."
The bright sun was risen
More than two hours aloft; and to the sea
My looks were turned. "Fear not," my master cried.
"Assured we are at happy point. Thy strength
Shrink not, but rise dilated. Thou art come
To Purgatory now. Lo! there the cliff
That circling bounds it. Lo! the entrance there,
Where it doth seem disparted."...
Reader! thou markest how my theme doth rise;
Nor wonder, therefore, if more artfully
I prop the structure. Nearer now we drew,
Arrived whence, in that part where first a breach
As of a wall appeared. I could descry
A portal, and three steps beneath, that led
For inlet there, of different color each;
And one who watched, but spake not yet a word,
As more and more mine eye did stretch its view,
I marked him seated on the highest step,
In visage such as past my power to bear.
Grasped in his hand, a naked sword glanced back
The rays so towards me, that I oft in vain
My sight directed. "Speak from whence ye stand,"
He cried; "What would ye? Where is your escort?
Take heed your coming upward harm ye not."
Public-domain text, read in full here on John Shaqi.
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