For the third time in a quarter of a century the streets have been thronged, and an unending procession has filed by the dead. Long lines reached many blocks, both up and down Fifth avenue, and they grew no shorter through the best part of three days. This recognition of the eminence and power of the Cardinal, John McCloskey, has been very general. All classes have paid homage. And why? He was a gentleman. He was learned, politic, able, far-sighted, clean. His energy was without measure. The rise and reach of his influence and work have no chance for comparison with the accomplishment of any other American clergyman. There is none to name beside him. He was a burning zealot all his life. Elevation and honors came to him. He became a prince in his Church. He swept every avenue of power and influence within his grasp into that Church. He lived singly for it. In his death, his Church exalts herself. She gives, after her faith, prayers, Masses, glory. In his, life he spoke only for Rome. In his death his voice is intensified. His life was one long gain to his people. In his, death they suffer no loss. His time and character and personality are so exalted, that, "being dead he yet speaketh." The Church of Rome stands alone. It is forever strange. It is a law to itself. Thus it comes that this funeral does not belong to America, or to the century. Rome and the Middle Ages conducted the obsequies. The canons are prescribed. They have never changed. Behold then in New York, what might have been seen in ruined Melrose Abbey in its ancient day of splendor. The Cardinal lies in state in his cathedral, that consummate flower of all his ministry. Saw you ever a Roman Pontiff lying in state? The high catafalque is covered with yellow cloth. The body, decked in official robes, uncoffined, reclines aslant thereon. The head is greatly elevated. A mighty candle shines on the bier at either corner. The Cardinal's red hat hangs at his feet. His cape is purple, his sleeves are pink drawn over with lace, his shirt is crimson and white lace covered. Purple gloves are on his hands. On his head is his tall white mitre. His pectoral cross lies on his pulseless breast. His seal ring glitters on his finger. To me it was an awful and uncanny figure. The man was old and disease wasted. The lips were sunken over shrunken gums. The chin was sharp and far-protruding. The colors of the cloths were garish and loud. It was a gay lay figure, red and yellow and white and black and purple and pink. It made me shudder. Yet lying there under the very roof his hands had builded, that reclining figure was immensely impressive.