Pushed and the Return PushNichols, George Herbert Fosdike
History
Pushed and the Return Push
Nichols, George Herbert Fosdike
World War, 1914-1918 -- Personal narratives, English
My camp-bed was put up in a room occupied by the adjutant; and during
and after dinner there was much talk about the programme of intensive
training with which the Brigade was going to occupy itself while out at
rest. For the morrow the colonel had arranged a scheme--defence and
counter-attack--which meant that skeleton batteries would have to be
brought up to upset and demolish the remorseless plans of an imaginary
German host; and there was diligent studying of F.A.T. and the latest
pamphlets on Battery Staff Training, and other points of knowledge
rusted by too much trench warfare.
It was exactly 2 P.M. on the morrow. We were mounted and moving off to
participate in this theoretical battle, when the "chug-chug-chug" of a
motor-cycle caused us to look towards the hill at the end of the
village street: a despatch-rider, wearing the blue-and-white band of
the Signal Service. The envelope he drew from his leather wallet was
marked "urgent."
"It's real war, gentlemen," said the colonel quietly, having read the
contents; "we move at once. Corps say that the enemy are massing for an
attack."
Then he gave quick, very definite orders in the alert confident manner
so well known to all his officers and men.
"Send a cycle orderly to stop Fentiman bringing up his teams! You can
be ready to march by 3 P.M. ... Stone. Townsend, you'd better send off
your groom to warn your battery! Times and order of march will be sent
out by the adjutant within a quarter of an hour! One hundred yards'
distance between every six vehicles on the march! No motor-lorries for
us this time, so all extra kit and things you can't carry will have to
be dumped, and a guard left behind!"
A clatter of horsemen spreading the news followed.
I stood at the door of the village's one cafe and watched two of our
batteries pass. The good woman who kept it asked if I thought the
Germans would come there again. "They took my husband with them a
prisoner when they went a year ago," she said slowly. My trust in our
strength as I had seen it six months before helped me to reassure her;
but to change the subject, I turned to the penny-in-the-slot music
machine inside, the biggest, most gaudily painted musical box I've ever
seen. "Did the Boches ever try this?" I asked. "No, only once," she
replied, brightening. "They had a mess in the next room, and never came
in here."
"Well, I'll have a pen'orth for luck," said I, and avoiding "Norma"
and "Poet and Peasant," moved the pointer towards a chansonette,
something about a good time coming. Such a monstrous wheezing and
gurgling, such a deafening clang of cracked cymbals, such a Puck-like
concatenation of flat notes and sudden thuds that told of broken
strings! And so much of it for a ten-centime piece. When the tumult
began a third time I made off. No wonder the Germans only tried the
instrument once!
Public-domain text, read in full here on John Shaqi.
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