Pyrotechnics: The History and Art of Firework MakingBrock, Alan St. H. (Alan St. Hill)
History
Pyrotechnics: The History and Art of Firework Making
Brock, Alan St. H. (Alan St. Hill)
Fireworks
Cupers Gardens, which stood on the south side of the river,
approximately on the site of the Waterloo Bridge approach, were for
a long period the scene of popular firework displays. Commencing
about 1741, these displays were as elaborate as any of this period.
The earlier displays appear to have been conducted by “the ingenious
Mr. Worman,” who seems to have relied to a considerable extent on
transparencies and scenery; in 1749 and 1750 he reproduced in miniature
the firework “machine” or Temple used in the respective official
displays in Green Park, and at The Hague for the Aix-la-Chapelle peace
celebrations. Other scenic effects were a view of the city of Rhodes
with a model of the Colossus; Neptune, issuing from a grotto below
drawn by sea-horses, set fire to a pyramid or an “Archimedan worm” and
returned.
Clithero was also associated with these displays, producing similar
scenic effects, including a naval engagement in 1755, which was the
last year of fireworks in these gardens.
The earlier displays at Marylebone Gardens took place about the middle
of the eighteenth century. In 1751 a display is announced to take place
at eleven o’clock, and “a large collection” of fireworks was advertised
in 1753. Some at least of these earlier displays were fired by Brock,
whose son, later on, worked here in conjunction with Torré. In 1769 the
displays were under the direction of Rossi and Clanfield. From 1772 to
1774 was the most successful period of the fireworks at these gardens;
they were then under the direction of Torré. A popular item, afterwards
copied by Marinari at Ranelagh, was the “Forge of Vulcan,” a scenic
display concluding with the eruption of Mount Etna.
On the occasion of Torré’s benefit, in 1772, there was a further
exhibition of this kind, representing Hercules delivering Theseus from
Hell.
During this period attempts were made by neighbouring residents to stop
the displays as a nuisance, but nothing came of it, and the fireworks
continued.
At the annual festival in 1772, the display included a temple of
“upwards of 10,000 cases of different fires, all lighted at the same
time.”
Other pyrotechnists firing at the gardens were Clithero and Caillot,
both of whom had conducted displays at Ranelagh, the latter being
responsible for the fireworks up to the closing of the gardens about
1778.
It is recorded that Dr. Johnson once visited the gardens on a firework
night, but unfortunately a wet one, and notice was given to the
handful of visitors that the fireworks were wet and the display would
be cancelled. The doctor, however, was of opinion that it was a “mere
excuse to save their crackers for a more profitable company,” and
suggested that a threat to break the lamps would result in the show
being forthcoming. Some young men standing by endeavoured, under his
direction, to ignite the pieces, but unsuccessfully.
Public-domain text, read in full here on John Shaqi.
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