Pyrotechnics: The History and Art of Firework Making — John Shaqi
Pyrotechnics: The History and Art of Firework MakingBrock, Alan St. H. (Alan St. Hill)
History
Pyrotechnics: The History and Art of Firework Making
Brock, Alan St. H. (Alan St. Hill)
Fireworks
Charles Lamb, in a letter to William Wordsworth, dated August 9th,
1814, after describing the havoc wrought in the park by the crowds
and booths, remarks that: “After all the fireworks were splendent—the
Rockets in clusters, in trees and all shapes, spreading about like
young stars in the making floundering about in space (like unbroke
horses) till some of Newton’s calculations should fix them, but then
they went out. Anyone who could see ’em and the still finer showers of
gloomy rain fire that fell sulkily and angrily from ’em, and could go
to bed without dreaming of the Last Day, must be as hardened an Atheist
as ****.”
St. James’s Park was reserved for those who paid for admission. The
trees were illuminated with lamps, and a Chinese bridge, which had been
erected over the lake, was similarly treated. The use of gas on this
structure must be one of the earliest occasions of its being employed
for outdoor illuminations of this nature. Neither can the result be
considered altogether successful, as the building caught fire towards
the end of the firework display, and a lamplighter, who appears to
have been caught by the flames in an attempt to throw himself into the
water, was killed. Other men similarly employed were also severely
burned. These men, evidently through ignorance, had started lighting
the lower lamps first, working upwards on the structure, until they
found themselves in a position of intolerable heat with no means of
descending.
The pyrotechnic display consisted chiefly of aerial fireworks with
gerbs, roman candles, fountains, and wheels; there do not appear to
have been many devices of any size. “The Times” reporter complains that
“the repetition of these things, with occasional pauses, for more than
two hours became tedious to all.”
The coronation of George IV, in 1821, was celebrated by a display
in Hyde Park, including land and water fireworks, superintended by
Congreve. The displays on the coronation of William IV, in 1831, were
directed by Congreve’s successor, Sir Augustus Frazer, but appear to
have been of an insignificant character.
Queen Victoria’s coronation was celebrated by displays in Hyde Park
and Green Park, conducted by Southby and D’Ernst, which exhibitions
included a Temple on similar lines to that of 1814.
In France, during the first few years of the nineteenth century, there
were many pyrotechnic displays of importance. Napoleon is credited
with being extremely partial to such exhibitions. Displays took place
in Paris in the Champs Elysées, at the barriere Chaillot, before Les
Invalides in 1801 to celebrate the foundation of the Republic, and in
the following year in honour of Napoleon’s arrival in that city.
Public-domain text, read in full here on John Shaqi.
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