Pyrotechnics: The History and Art of Firework MakingBrock, Alan St. H. (Alan St. Hill)
History
Pyrotechnics: The History and Art of Firework Making
Brock, Alan St. H. (Alan St. Hill)
Fireworks
“It occurred to me that of all the places of public resort suitable
for the inauguration of a new era for pyrotechny, none offered
such glorious advantages as the Crystal Palace, then at the height
of its popularity. Its terraces, fountains and foliage offered
unrivalled advantages for the display of grand effects. The
Directors of the Crystal Palace Company, who had more than once
been applied to for permission to hold displays in the grounds,
feared that, inasmuch as fireworks had been recently associated
solely with gardens of the Cremorne class, the Palace itself would
be degraded to the same rank if consent were granted. I urged that
the Exhibition of 1862 had afforded no opportunity for competition
among firework makers—necessarily excluded by the nature of their
trade—although almost every other branch of manufactures were
embraced, that such a contest might with reason and advantage be
held at Sydenham, and that fireworks were really not of an immoral
tendency. I further agreed that in the event of the result being
unfavourable, either financially or from a social point of view,
no second display need take place, but if, as I felt confident,
there should be a large attendance of the better classes, then
other exhibitions might follow. The Directors, after many months of
delay, consented to make the experiment, and the favourable result
of the trial on July 12th, 1865, far exceeded my most sanguine
expectations.
“The result was an unlooked-for success, 20,000 people being
present on the occasion. Three more displays took place that year
upon a small scale, but always with successful results.
“The first display was produced jointly by my father and Mr.
Southby, the winner of the first prize, and continued to the end of
that season by my father alone under my management.
“The success of fireworks at the Crystal Palace having become
an accomplished fact, I built extensive works at Nunhead, and
commenced manufacturing on a scale never previously dreamt of in
the trade—the vast expanse of the locale of my displays obviously
necessitating extraordinary expenditure of material.
“By degrees the set pieces grew from twelve feet in diameter to 300
feet. Shells for which the Crystal Palace has been renowned grew to
one hundred times more than the ordinary shells of my early days,
and thousands of pounds weight of material was gradually introduced
to increase the effectiveness of these displays.”
[Illustration: “The GRAND WHIM for POSTERITY to Laugh at:
Being the Night View of the ROYAL FIREWORKS, as Exhibited in the
Green Park, St. _James’s_, with the Right Wing on Fire.”
Firework Display in the Green Park to celebrate the Peace of
Aix-la-Chapelle, 1749.]
Public-domain text, read in full here on John Shaqi.
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