Pyrotechnics: The History and Art of Firework Making — John Shaqi
Pyrotechnics: The History and Art of Firework MakingBrock, Alan St. H. (Alan St. Hill)
History
Pyrotechnics: The History and Art of Firework Making
Brock, Alan St. H. (Alan St. Hill)
Fireworks
Daylight fireworks also originated in Japan. Instead of pyrotechnic
effects, the shell contains a grotesque balloon in the form of an
animal, human figure, or other form, which, being open and weighted
at the lower end, becomes inflated as it falls and remains in the air
for a considerable period. Other daylight effects are coloured clouds
formed by coloured powder, distributed by the bursting of the shell,
showers of streamers, confetti, and toys.
Chinese firework displays have often been enthusiastically described
by travellers in China. Whether it is that the glamour of the East
distorts the perceptions, or that these travellers have not seen a
European firework display, there is no doubt that such descriptions
are, to say the least, over coloured.
Chinese fire (a composition of saltpetre, iron filings, sulphur and
charcoal), a few simple colour compositions, and a large number of
Chinese crackers of varying sizes constitute a Chinese display; the
rest of the exhibition being eked out with lanterns, pictures, etc.,
which certainly do not come under the heading of pyrotechnics.
The writer once had an opportunity of witnessing a Chinese display of
some importance, lasting several hours, which produced the effect on
the mind of watching some performance or game of the rules of which one
was in entire ignorance. Pyrotechnically, only the crudest effects were
produced, the remainder of the display, consisting of such items as a
man slowly climbing a ladder carrying a lantern, was to the uninitiated
mystifying.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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