Queen Maria Sophia of Naples, a Forgotten HeroineKüchler, Carl
History
Queen Maria Sophia of Naples, a Forgotten Heroine
Küchler, Carl
Maria Sofia, Queen, consort of Francesco II Borbone, King of the Two Sicilies, 1841-1925
In the great courtyard of the palace he had a ring made where
exhibitions of fancy riding were given before the ladies of the family
and a few invited guests, Max himself often taking part. This became the
favorite resort of his daughters in Winter, who would spend whole days
there exercising, with their dogs and horses for companions, and it was
here that Elizabeth of Austria and Maria Sophia of Naples acquired the
skill that afterward made them the most perfect horsewomen of their day.
Properly to classify a plant it is necessary to study the soil that has
nourished it. That from which the Wittelsbach sisters sprung was
Bavarian, of course, but more accurately speaking, the region about
Possenhofen and Starnberg Lake, whither the family repaired every year
with the first signs of Spring. The shores of Starnberg are fringed with
castles, among them the solitary Schloss Feldafing, whence King Ludwig
the Second flung himself into the waters of the lake. Back of these are
many small villages interspersed with villas built by artists from
Munich. Between lie stretches of dark pine forest or clumps of lighter
beeches, their branches drooping over the surface of the water, while as
a background to this entrancing scene rise majestic mountain peaks.
Possenhofen was known in the twelfth century as “Pozzo’s Hof.” In the
fifteenth it was presented by the Palatine Friedrich von
Scheyern-Wittelsbach to a neighboring convent, but later it came into
the possession of the Elector Ferdinand Maria of Bavaria, a peace-loving
prince, who made Starnberg Lake the scene of many splendid _fêtes_. In
1834 Duke Max bought the castle, had the outer wall and vaulted gateway
torn down and the moat filled in, thus making room for the large gardens
that now surround Possenhofen. Outwardly the building was allowed to
retain its original form, but the interior was completely changed.
Four-post bedsteads, huge antique stoves, and chests of olden days were
replaced by modern furniture and conveniences. An additional wing or two
made room for guests, and a chapel was built, connecting the ancient
edifice with its newer parts. The castle courtyard and gardens are still
surrounded by a high wall, extending along the shore of the lake, and
this with the old towers forms the last link with those days when
Pozzo’s Hof served not only as a residence for its noble masters, but
also as a stronghold against the enemies of the prince and people.
Inside the wall rises the huge pile of reddish yellow stone, its whole
eastern side covered with a natural mantle of ivy, making an attractive
picture against the fresh green of the park and the gardens, with their
flower-beds and fountains.
Public-domain text, read in full here on John Shaqi.
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