"It was rather cold, Madam," said Mr. Greville. "Your sister, Lady Frances Egerton, rides, I think, doesn't she?" said the Queen. "She does ride sometimes, Madam," said Mr. Greville. There was a pause, after which Mr. Greville ventured to take the lead, though he did not venture to change the subject. "Has your Majesty been riding today?" asked Mr. Greville. "Oh yes, a very long ride," answered the Queen with animation. "Has your Majesty got a nice horse?" said Mr. Greville. "Oh, a very nice horse," said the Queen. It was over. Her Majesty gave a smile and an inclination of the head, Mr. Greville a profound bow, and the next conversation began with the next gentleman. When all the guests had been disposed of, the Duchess of Kent sat down to her whist, while everybody else was ranged about the round table. Lord Melbourne sat beside the Queen, and talked pertinaciously--very often a propos to the contents of one of the large albums of engravings with which the round table was covered--until it was half-past eleven and time to go to bed. (*) The Duke of Bedford told Greville he was "sure there was a battle between her and Melbourne... He is sure there was one about the men's sitting after dinner, for he heard her say to him rather angrily, 'it is a horrid custom-' but when the ladies left the room (he dined there) directions were given that the men should remain five minutes longer." Greville Memoirs, February 26, 1840 (unpublished). Occasionally, there were little diversions: the evening might be spent at the opera or at the play. Next morning the royal critic was careful to note down her impressions. "It was Shakespeare's tragedy of Hamlet, and we came in at the beginning of it. Mr. Charles Kean (son of old Kean) acted the part of Hamlet, and I must say beautifully. His conception of this very difficult, and I may almost say incomprehensible, character is admirable; his delivery of all the fine long speeches quite beautiful; he is excessively graceful and all his actions and attitudes are good, though not at all good-looking in face... I came away just as Hamlet was over." Later on, she went to see Macready in King Lear. The story was new to her; she knew nothing about it, and at first she took very little interest in what was passing on the stage; she preferred to chatter and laugh with the Lord Chamberlain. But, as the play went on, her mood changed; her attention was fixed, and then she laughed no more. Yet she was puzzled; it seemed a strange, a horrible business. What did Lord M. think? Lord M. thought it was a very fine play, but to be sure, "a rough, coarse play, written for those times, with exaggerated characters." "I'm glad you've seen it," he added. But, undoubtedly, the evenings which she enjoyed most were those on which there was dancing. She was always ready enough to seize any excuse--the arrival of cousins--a birthday--a gathering of young people--to give the command for that.