American fiction -- 19th century; Dime novels; Man-woman relationships -- Fiction; Upper class -- Fiction
“I understand now what he meant, and what I was to forgive. He meant to
have told me before, he said; he was sorry he had not. Yes, father, I
see. While we were in France there was no need for me to know, and when
we started for America it was hard to confess it to me, and destroy my
beautiful air castles filled with a line of ancestry nobler, better,
even, than the Hethertons, and so you put it off, as you did everything
unpleasant, as long as possible. You were going to tell me when you
reached New York, but before we were there you were dead, and I was left
to meet it alone. Oh, father, I promised to forgive and love you just
the same, and I will, I do—but it’s very, very hard on me, and I must
fight it out and cast the demon from me before I meet one of them
again.”
And in truth Reinette did seem to be fighting with some foe as she stood
in the center of the room, her face as white as ashes, her tearless eyes
flashing fire, and her hands beating the air more rapidly and fiercely
than they had done when in the carriage her grandmother questioned her
of her knowledge of her mother. That was a feeble effort compared to
what she was doing now as she flew about the room striking out here and
there as if at some tangible object, and sometimes clutching at the long
curls floating over her shoulders. It was a singular sight and not
strange at all that Mrs. Speckle, from her seat in the window, looked
curiously at the young girl acting more like a mad than a sane woman,
and at the three kittens upon the floor, who, fancying all these
gyrations were for their benefit, jumped and scampered, and spit, and
pulled at Reinette’s feet and dress in true feline delight.
Suddenly the door opened cautiously and Pierre looked in, saying,
softly:
“Please, Miss Reinette, wouldn’t you come out of it quicker if you was
to _shake me_ a bit. I shouldn’t mind it if you didn’t use your nails,
and would let my hair alone. There isn’t much of it left, you know!”
Public-domain text, read in full here on John Shaqi.
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