Queenie's whim, Volume 1 (of 3) : $b A novelCarey, Rosa Nouchette
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Queenie's whim, Volume 1 (of 3) : $b A novel
Carey, Rosa Nouchette
English fiction -- 19th century
After all, it was not so much her head as her heart that ached. She
went back to her old corner in the class-room, and worked away at the
girls' blotted themes, while they sat round her whispering and
laughing over their preparation.
It was not a cheerful scene. The two long deal tables were somewhat
dimly lighted by oil-lamps, which at times burnt low and emitted
unpleasing odours. A governess sat at the head of each table, busied
over writing or fancy-work. An occasional "Silence, young ladies,"
in Miss Tozer's grating voice, alternated with Mademoiselle's
chirping "Taisez vous, mes chères demoiselles," followed by momentary
silence, soon broken by a titter. One of the girls, indeed, did not
join in either the whispers or the titters, but worked on steadily,
and to some purpose, for, to the surprise of her companions, she
closed her books long before the allotted hour, and, with an
explanatory mention to Miss Tozer about tidying her drawers, left the
room unseen by Queenie.
She was a tall girl, with an odd, characteristic face, colorless
complexion, and bright dark eyes. She wore her hair in singular
fashion, parted on one side, and brushed even over her forehead in a
long wave, and simply knotted behind.
Most people called Catherine Clayton plain, but to those who loved
her this want of beauty was redeemed by an excessive animation, and
by an expression of amiability and _bon-hommie_ that irresistibly
attracted.
Her figure was erect and striking. She walked, ran, and danced
equally well. Movement was a necessity to her; in some moods repose
was impossible. In her gestures she had the freedom and unconscious
dignity of a young Indian squaw.
Catherine, or Cathy, as she was generally called by her intimate
friends, had struck up a warm friendship with Queenie on the first
day they met. Queenie's strange eyes drew her like magnets; their
troubled pathos stimulated curiosity and invited pity. Queenie's
pride and independence, her quiet reserve, only charmed the younger
girl.
Cathy made swift advances, but they were only repelled by the
sad-looking young governess. Cathy, nothing daunted, turned her
attention to Emmie, and won her heart in a trice, and from that
moment Queenie succumbed.
When Queenie loved, she loved with her whole heart; half measures
were impossible; she must give entire confidence, or none at all.
Her reserve, once broken through, was broken for ever. She soon made
her friends acquainted with the chequered story of her past life.
She told Cathy the absolute blank of the future was perfectly
appalling to her.
Cathy listened and pitied, and started all sorts of vague Utopian
schemes that should ameliorate the condition of her favorites.
Her own life had no bitter background. She was indeed a motherless
orphan, but she was so very young when her parents died that the
cloud had hardly shadowed her. She spoke of them affectionately, as
of some dear unknown friends.
Public-domain text, read in full here on John Shaqi.
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