Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
Now, if these two theories are correct, as they probably are, it is
obvious that, whoever was the father of Madeleine Béjart's child,
supposing her to have been the mother of Armande, which few now will be
found to maintain, it could not have been Molière, unless Madeleine was
a member of a troupe of strolling players, which performed several times
before the Court at Montfrin, during its stay there in the latter part
of June, a contingency so remote as to be hardly worth taking into
account. With which observations, we hasten to take leave of this most
unpleasant subject, and begin our history of Armande Béjart.
* * * * *
When the Illustre Théâtre quitted Paris, in the spring of 1646, Marie
Hervé and her little daughter accompanied it. It does not appear
probable, however, as some writers have supposed, that Armande's early
years were passed on the high roads. From what we know of her
accomplishments, she must have received a far superior education to that
which a little Bohemian could have obtained. According to one account,
she lived for some years in Languedoc, "with a lady of distinguished
rank in that province," and did not return to her family until 1653,
when the company, relatively more stable, had made Lyons its
headquarters. Thenceforward Armande's education was carried on under the
immediate supervision of Molière himself, who, as time went on, began
to take something more than a friendly interest in the progress of his
pupil, and ended by falling passionately in love with her.
Nearly all the biographers of Molière and Armande agree that Madeleine
Béjart was much occupied by this marriage, though they differ widely in
the part they assign to her, some asserting that she laboured
strenuously to prevent it, others that she did her utmost to bring it
about. According to Grimarest, one of the oldest of the poet's
biographers--who believed Madeleine to have been Molière's mistress, and
that she was, moreover, the mother of Armande, though he does not go so
far as to attribute the girl's paternity to Molière--Madeleine behaved
_en femme furieuse_, threatened to ruin him, her daughter, and herself,
if he persisted in his intention, and that in consequence the lovers
were compelled to contract a secret marriage.
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